Inhabitant By Sello Pesa and Vaughn Sadie (2011) or how to (re)imagine public spaces in Johannesburg through art

Abstract

Why look at art to understand an African city like Johannesburg? African cities are often studied through the lens of urban dilemmas that are supposed to characterize them. Whereas it is common to study the role of art in the (un)making of Western cities, it is still quite uncommon to do so for African cities. In the case of South African cities, more and more scholars are nevertheless using art in order to challenge this imbalance and to propose a more qualified and sensitive approach to daily life in urban spaces. This paper aims to pursue this effort by looking at Inhabitant, a performance organized by Sello Pesa and Vaughn Sadie in Johannesburg in 2011. From a cultural and urban geographer’s perspective, this performance is particularly interesting since it is offering a new vision of Johannesburg and its public spaces as they are lived by city dwellers, while inviting the audience of the performance to act upon this vision, if not to perform it. Through close qualitative analysis of Inhabitant, I will argue that art can transform urban spaces, both symbolically and materially, by fostering a change in perceptions and, consequently, in representations and practices.