User-generated content gatekeeping on the radio: Displacing control to technology

Q1 Arts and Humanities
Radio Journal Pub Date : 2019-10-01 DOI:10.1386/rjao_00002_1
Asta Zelenkauskaite
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引用次数: 3

Abstract

This study focuses on user-generated content (UGC) via Facebook and mobile texting selection and allocation for broadcast. Based on the premises of Gatekeeping theory in traditional mass media content selection, this study asks how social media messages, solicited by the radio station, are filtered out for the programmes. Based on semi-structured interviews with the Italian commercial radio station’s staff, participant observation and a content analysis of the UGC messages, the study scrutinizes institutional decision-making processes. The radio station’s selection of UGC exhibits efforts to maintain control over the streams of incoming UGC content. As expected, UGC manual content selection or automated content matching is geared towards efficiency. Also, in this study only 33 per cent of messages have been selected for broadcast. UGC gatekeeping has also presented evidence of displacement of control within the radio station. Rather than shifting control to audiences, radio stations displaced control to technology-assisted gatekeeping. While the study showed a ‘widening’ of the gates in terms of content (there was no differentiation in selecting messages directed to the radio station or to the overall audience members), shift of control to the audiences remains an ideal rather than reality.
无线电上用户生成内容的把关:技术取代控制
本研究的重点是用户生成内容(UGC)通过Facebook和移动短信的选择和分配广播。基于传统大众媒体内容选择中的把关理论,本研究询问广播电台征求的社交媒体信息是如何过滤出来的。这项研究基于对意大利商业广播电台员工的半结构化访谈、参与者观察和对教资会信息的内容分析,仔细审查了院校的决策过程。广播电台对UGC内容的选择显示了对传入UGC内容流的控制。正如预期的那样,UGC手动内容选择或自动内容匹配是为了提高效率。此外,在这项研究中,只有33%的信息被选择用于广播。教资会的把关工作也提供了无线电电台内部控制权转移的证据。广播电台没有把控制权交给观众,而是把控制权交给了技术辅助的看门人。虽然这项研究表明,在内容方面,“扩大”了大门(在选择直接发送给广播电台或发送给全体听众的信息方面没有区别),但将控制权转移给听众仍然是一种理想,而不是现实。
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来源期刊
Radio Journal
Radio Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.50
自引率
0.00%
发文量
7
期刊介绍: Radio Journal publishes critical analyses of radio and sound media across a variety of platforms, from broadcast to podcast and all in between. Articles focus on both historical and contemporary issues in sound-based journalism and media studies. We look for work that explores the production, circulation and reception of radio and creative soundwork, and encourage a wide range of international and interdisciplinary perspectives. Radio Journal welcomes scholarship from early career researchers as well as internationally renowned scholars. It also publishes reviews of recent publications in the field of radio and sound studies. Radio Journal is edited from the US and Australia and has an international scope. It is a refereed publication; all research articles undergo rigorous double-blind peer review. The editors will review other contributions. The process normally takes three months to complete.
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