The Origin of Art: An Approximation through Archaeological Evidences

Araceli Giménez Lorente
{"title":"The Origin of Art: An Approximation through Archaeological Evidences","authors":"Araceli Giménez Lorente","doi":"10.13189/sa.2020.080304","DOIUrl":null,"url":null,"abstract":"A poetic idea is proposed, the origin of “aesthesis” is our origin. Art in its double side, as an ‘object’ and as a ‘work’, is as old as our human species. We could even say that it is the heritage of hominids, for each hominid species which were born in this planet with an antiquity known to be three million years old till our days. This implies hominid species discussed above, like Australopithecus africanus, Homo erectus, Homo heidelbergensis, Homo antecessor, Homo Neanderthal, and Cro-Magnon. In order to analyze the evolution of art from a new perspective, with archaeological evidence, the main methodology used is the observation and analysis of archaeological evidence, experimentation demonstrates the results. The most important result is the creation cladogram, in addition to an aesthetic theory, is a guide to classify archaeological evidence. Experimentation on archeology of fire values the Paleolithic civilization. All the archaeological evidence presented in this study will conclude that the first need as a species is aesthetics, and by evolution the art, and that the link is intrinsic to our human species. The main contribution to the field is a new perspective that links the evolution of our species with the origin and development of art. The novelty of this study is the multidisciplinary approach that includes the fields of aesthetics, cultural anthropology, archeology and the fine arts. The convergence of these disciplines concludes that art is intrinsic to the human species.","PeriodicalId":21798,"journal":{"name":"Sociology and anthropology","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sociology and anthropology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13189/sa.2020.080304","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

A poetic idea is proposed, the origin of “aesthesis” is our origin. Art in its double side, as an ‘object’ and as a ‘work’, is as old as our human species. We could even say that it is the heritage of hominids, for each hominid species which were born in this planet with an antiquity known to be three million years old till our days. This implies hominid species discussed above, like Australopithecus africanus, Homo erectus, Homo heidelbergensis, Homo antecessor, Homo Neanderthal, and Cro-Magnon. In order to analyze the evolution of art from a new perspective, with archaeological evidence, the main methodology used is the observation and analysis of archaeological evidence, experimentation demonstrates the results. The most important result is the creation cladogram, in addition to an aesthetic theory, is a guide to classify archaeological evidence. Experimentation on archeology of fire values the Paleolithic civilization. All the archaeological evidence presented in this study will conclude that the first need as a species is aesthetics, and by evolution the art, and that the link is intrinsic to our human species. The main contribution to the field is a new perspective that links the evolution of our species with the origin and development of art. The novelty of this study is the multidisciplinary approach that includes the fields of aesthetics, cultural anthropology, archeology and the fine arts. The convergence of these disciplines concludes that art is intrinsic to the human species.
艺术的起源:通过考古证据的近似
提出一种诗学观念,“美”的本源就是我们的本源。艺术具有两面性,作为“物品”和“作品”,它和我们人类一样古老。我们甚至可以说,这是原始人的遗产,因为每一个在这个星球上诞生的原始人都有三百万年的历史,直到我们今天。这意味着上面讨论的人类物种,如非洲南方古猿、直立人、海德堡人、祖先人、尼安德特人和克罗马努人。为了从一个新的角度来分析艺术的演变,用考古证据,主要使用的方法是观察和分析考古证据,实验证明结果。最重要的结果是创造梯形图,除了美学理论之外,还可以指导考古证据的分类。火考古实验对旧石器文明的价值。在这项研究中提出的所有考古证据将得出这样的结论:作为一个物种的第一需要是美学,通过进化是艺术,这种联系是我们人类物种固有的。对该领域的主要贡献是将人类的进化与艺术的起源和发展联系起来的新视角。本研究的新颖之处在于多学科方法,包括美学、文化人类学、考古学和美术领域。这些学科的融合得出结论,艺术是人类固有的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
文献相关原料
公司名称 产品信息 采购帮参考价格
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信