“Under His Eye”: Religious Appropriation and American Civil Religion in Hulu’s The Handmaid’s Tale

IF 0.7 0 RELIGION
Erik J. Engstrom, D. Stephenson., Y. Kim, Joseph M. Valenzano
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引用次数: 0

Abstract

ABSTRACT This study explores how the Hulu streaming series The Handmaid’s Tale (2017-) extends Margaret Atwood’s novel by depicting the aftermath of the transformation of the United States by the fake theocracy of Gilead through visual cues that evoke American civil religion, a performative system of symbols and rituals that reifies national values and unites a pluralistic society. A textual analysis of the episode “Household,” set in Gilead’s capital of a reimaged Washington, D.C., found four main themes regarding the onscreen depiction of Gileadean theocracy and its surface victory over the United States and its accompanying symbols of American civil religion: (a) religion used as a façade, (b) desecration of sacred sites in American civil religion, (c) silencing, and (d) surveillance. This study adds a unique contribution to the study of American civil religion through its examination of visual images in a fictional televisual text.
“在他眼皮底下”:Hulu的《使女的故事》中的宗教挪用与美国公民宗教
摘要:本研究探讨Hulu流媒体电视剧《使女的故事》(2017-)如何延伸玛格丽特·阿特伍德的小说,通过视觉线索描绘吉利德假神权统治下美国转型的后果,唤起美国公民宗教,这是一种象征和仪式的表演系统,体现了国家价值观,团结了多元化的社会。对《家庭》这一集的文本分析发现,银幕上对吉利德神权政治的描绘,以及它对美国的表面胜利,以及与之相关的美国公民宗教象征,有四个主要主题:(A)宗教被用作伪装;(b)亵渎美国公民宗教的圣地;(c)沉默;(d)监视。本研究通过对虚构电视文本中视觉形象的考察,为研究美国公民宗教增添了独特的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
9
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