Erik J. Engstrom, D. Stephenson., Y. Kim, Joseph M. Valenzano
{"title":"“Under His Eye”: Religious Appropriation and American Civil Religion in Hulu’s The Handmaid’s Tale","authors":"Erik J. Engstrom, D. Stephenson., Y. Kim, Joseph M. Valenzano","doi":"10.1080/15348423.2022.2059301","DOIUrl":null,"url":null,"abstract":"ABSTRACT This study explores how the Hulu streaming series The Handmaid’s Tale (2017-) extends Margaret Atwood’s novel by depicting the aftermath of the transformation of the United States by the fake theocracy of Gilead through visual cues that evoke American civil religion, a performative system of symbols and rituals that reifies national values and unites a pluralistic society. A textual analysis of the episode “Household,” set in Gilead’s capital of a reimaged Washington, D.C., found four main themes regarding the onscreen depiction of Gileadean theocracy and its surface victory over the United States and its accompanying symbols of American civil religion: (a) religion used as a façade, (b) desecration of sacred sites in American civil religion, (c) silencing, and (d) surveillance. This study adds a unique contribution to the study of American civil religion through its examination of visual images in a fictional televisual text.","PeriodicalId":55954,"journal":{"name":"Journal of Media and Religion","volume":"1 1","pages":"55 - 68"},"PeriodicalIF":0.7000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Media and Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15348423.2022.2059301","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This study explores how the Hulu streaming series The Handmaid’s Tale (2017-) extends Margaret Atwood’s novel by depicting the aftermath of the transformation of the United States by the fake theocracy of Gilead through visual cues that evoke American civil religion, a performative system of symbols and rituals that reifies national values and unites a pluralistic society. A textual analysis of the episode “Household,” set in Gilead’s capital of a reimaged Washington, D.C., found four main themes regarding the onscreen depiction of Gileadean theocracy and its surface victory over the United States and its accompanying symbols of American civil religion: (a) religion used as a façade, (b) desecration of sacred sites in American civil religion, (c) silencing, and (d) surveillance. This study adds a unique contribution to the study of American civil religion through its examination of visual images in a fictional televisual text.