The rise of the expert amateur: DIY culture and citizen science

E. Paulos
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引用次数: 15

Abstract

We are at an important technological inflection point. Most of our computing systems have been designed and built by professionally trained experts (i.e. us--computer scientists, engineers, and designers) for use in specific domains and to solve explicit problems. Artifacts often called "user manuals" traditionally prescribed the appropriate usage of these tools and implied an acceptable etiquette for interaction and experience. A fringe group of individuals usually labeled "hackers" or "nerds" have challenged this producer-consumer model of technology by hacking novel hardware and software features to "improve" our research and products while a similar creative group of technicians called "artists" have re-directed the techniques, tools, and tenets of accepted technological usage away from their typical manifestations in practicality and product. Over time the technological artifacts of these fringe groups and the support for their rhetoric have gained them a foothold into computing culture and eroded the established power discontinuities within the practice of computing research. We now expect our computing tools to be driven by an architecture of open participation and democracy that encourages users to add value to their tools and applications as they use them. Similarly, the bar for enabling the design of novel, personal computing systems and "hardware remixes" has fallen to the point where many non-experts and novices are readily embracing and creating fascinating and ingenious computing artifacts outside of our official and traditionally sanctioned academic research communities. But how have we as "expert" practitioners been influencing this discussion? By constructing a practice around the design and development of technology for task based and problem solving applications, we have unintentionally established such work as the status quo for the human computing experience. We have failed in our duty to open up alternate forums for technology to express itself and touch our lives beyond productivity and efficiency. Blinded by our quest for "smart technologies" we have forgotten to contemplate the design of technologies to inspire us to be smarter, more curious, and more inquisitive. We owe it to ourselves to rethink the impact we desire to have on this historic moment in computing culture. We must choose to participate in and perhaps lead a dialogue that heralds an expansive new acceptable practice of designing to enable participation by experts and non-experts alike. We are in the milieu of the rise of the "expert amateur". We must change our mantra: "not just usability but usefulness and relevancy to our world, its citizens, and our environment". We must design for the world and what matters. This means discussing our computing research alongside new keywords such as the economy, the environment, activism, poverty, healthcare, famine, homelessness, literacy, religion, and politics. This talk will explore the design territory and potential opportunities for all of us to collaborate and benefit as a society from this cultural movement.
专家业余爱好者的兴起:DIY文化和公民科学
我们正处于一个重要的技术拐点。我们的大多数计算系统都是由受过专业训练的专家(即我们——计算机科学家、工程师和设计师)设计和构建的,用于特定领域并解决明确的问题。通常称为“用户手册”的工件传统上规定了这些工具的适当用法,并暗示了可接受的交互和体验礼仪。一群通常被称为“黑客”或“书呆子”的边缘群体挑战了这种生产者-消费者的技术模式,他们通过破解新颖的硬件和软件功能来“改进”我们的研究和产品,而一群类似的创造性技术人员被称为“艺术家”,他们重新引导了技术、工具和公认的技术使用原则,远离了它们在实用性和产品中的典型表现。随着时间的推移,这些边缘群体的技术产物和对他们言论的支持使他们在计算文化中获得了立足点,并侵蚀了计算研究实践中既定的权力不连续性。我们现在期望我们的计算工具是由一个开放参与和民主的架构驱动的,鼓励用户在使用工具和应用程序时为它们增加价值。同样,设计新颖的个人计算机系统和“硬件混合”的门槛已经降低,许多非专业人士和新手都乐于接受并在我们的官方和传统认可的学术研究社区之外创造迷人而巧妙的计算人工制品。但是我们作为“专家”实践者是如何影响这个讨论的呢?通过围绕基于任务和解决问题的应用程序的技术设计和开发构建实践,我们无意中将这种工作建立为人类计算体验的现状。我们没有履行我们的责任,没有为技术开辟另一个论坛,让技术表达自己,触及我们的生活,而不仅仅是生产力和效率。我们被对“智能技术”的追求所蒙蔽,忘记了去思考那些能激励我们变得更聪明、更好奇、更好奇的技术设计。我们有责任重新思考我们希望对计算机文化这一历史性时刻产生的影响。我们必须选择参加并可能领导一种对话,这种对话预示着一种广泛的新的可接受的设计做法,使专家和非专家都能参与。我们正处在“专业业余爱好者”兴起的环境中。我们必须改变我们的口头禅:“不仅仅是可用性,还要对我们的世界、我们的公民和我们的环境有用和相关”。我们必须为世界和重要的东西而设计。这意味着讨论我们的计算研究与新的关键词,如经济,环境,行动主义,贫困,医疗保健,饥荒,无家可归,识字,宗教和政治。这次演讲将探讨设计领域和潜在的机会,让我们所有人都能从这场文化运动中合作和受益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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