Aelian and the Gods of Comedy

IF 0.4 3区 历史学 N/A CLASSICS
Francisco Barrenechea
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引用次数: 0

Abstract

Aelian offers a curious example of how comedy was tied to religion during the Second Sophistic. He describes a votive relief dedicated by the Old Comic poet Theopompus to Asclepius, which he interprets as a symbol of the genre (Theopomp. Com. test. 2 PCG = Ael. fr. 102 Domingo-Forasté). My article situates this passage within the style and purpose of Aelian’s miscellanies, in order to explore how he transforms it into a literary monument that testifies to the god’s concern for Old Comedy—a striking departure from the more negative perceptions of the genre in the literary culture of his time. I propose two possible origins for the anecdote that might illuminate Aelian’s symbolic treatment: an actual votive relief linked to the playwright in an Attic sanctuary of Asclepius, or a comedy by Theopompus himself.
埃利安和喜剧之神
埃利安提供了一个奇怪的例子,说明在第二诡辩时期,喜剧是如何与宗教联系在一起的。他描述了古喜剧诗人Theopompus献给阿斯克勒庇俄斯的祈祷浮雕,他将其解释为该流派的象征(Theopomp。Com。测试。2 PCG = Ael。(多明戈-福斯特尔斯)。我的文章将这段话置于埃利安杂记的风格和目的之中,以探索他如何将其转变为一个文学纪念碑,证明上帝对老喜剧的关注——这与他那个时代文学文化中对这种类型的负面看法截然不同。我提出了两种可能的起源,这可能会解释埃利安的象征性处理:在阿斯克勒庇俄斯的阁楼圣所中与剧作家有关的真实的祈祷救济,或者是西奥波普斯本人的喜剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
MNEMOSYNE
MNEMOSYNE CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
50
期刊介绍: Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.
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