Performances de gênero e gêneros em performance: reflexões sobre a arte e os corpos de Michel Journiac

Q4 Arts and Humanities
Vitor Grunvald
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引用次数: 0

Abstract

The article appropriates both anthropological discussions and those coming from other disciplinary fields such as art history and philosophy to reflect on politics and poetics related to gender performances, having as analysis material some works by artists Marcel Duchamp and, especially, Michel Journiac. To do so, I first resume a series of theoretical elaborations on costume and clothing in relation to thebody. Subsequently, I discuss issues related to practices of cross-dressingand to experiences that address gender issues in the artistic field. Finally, I analyze inextricable relations between clothes, body and possibilities of life and transition/transmutation in order to propose politics and poeticsthat do not operate by the determinations of the psi sciences, generally triggered to erect concepts about the practice of cross-dressing.
性别表演与表演中的性别:米歇尔·朱尼亚克对艺术与身体的反思
本文运用人类学和艺术史、哲学等其他学科领域的讨论,对与性别表演有关的政治和诗学进行反思,并以艺术家马塞尔·杜尚,特别是米歇尔·儒尼亚克的作品为分析材料。为了做到这一点,我首先恢复了一系列关于服装和服装与身体关系的理论阐述。随后,我讨论了与变装实践相关的问题,以及在艺术领域解决性别问题的经验。最后,我分析了衣服、身体和生命的可能性之间不可分割的关系,以及过渡/嬗变,以提出不受psi科学决定的政治和诗歌,这些科学通常被触发来建立关于变装实践的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Sociedade e Cultura
Sociedade e Cultura Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
12
审稿时长
16 weeks
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