Non-participation in online Sacred Harp singing during the COVID-19 pandemic

IF 0.9 4区 艺术学 0 MUSIC
Esther M. Morgan-Ellis
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引用次数: 1

Abstract

During the COVID-19 pandemic, a large number of Sacred Harp singers took their activities online, adopting and adapting various platforms for the purpose of participatory music-making. While many singers found online activity to be meaningful, others did not, and an additional group lacked access altogether. This study, which was conducted by means of an online questionnaire, surveys the experiences of Sacred Harp singers who were unable or unwilling to participate in online singing. It documents the practical concerns and negative experiences that contributed to non-participation and considers the impacts of non-participation on the Sacred Harp community. Although technological barriers denied access to some singers, dissatisfaction with the online singing experience was the most significant factor in non-participation. Even with the improvement of online platforms, however, many singers will remain unable to participate in virtual singing due to lack of access to a private domestic space.
COVID-19大流行期间不参与在线圣竖琴演唱
在新冠肺炎疫情期间,大量圣竖琴歌手将活动搬上了网络,采用和适应各种平台进行参与式音乐创作。虽然许多歌手认为在线活动是有意义的,但其他人却没有,还有一群人完全没有机会。本研究采用在线问卷调查的方式,调查了不能或不愿参与网络歌唱的圣竖琴歌手的经历。它记录了导致不参与的实际问题和消极经历,并审议了不参与对圣竖琴社区的影响。虽然技术障碍使一些歌手无法进入,但对在线唱歌体验的不满是不参与的最重要因素。然而,即使在线平台有所改善,由于缺乏私人的家庭空间,许多歌手仍然无法参与虚拟演唱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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