{"title":"Getting the Joke: Self -Deprecating Humor in Anh Do’s The Happiest Refugee","authors":"Jacqui Dickin","doi":"10.1080/08989575.2022.2136827","DOIUrl":null,"url":null,"abstract":"Abstract Self-deprecating humor, the comedic act of making oneself the butt of the joke, is a staple of the Australian comedy industry and part of Australia’s national self-concept. Vietnamese Australian Anh Do is one of Australia’s most famous migrant comedians and performs self-deprecating humor while drawing on sometimes traumatic experiences from his personal life as part of his stand-up comedy sets. This essay examines how Do’s style of self-deprecating comedy extends from his stand-up comedy to his national bestselling memoir The Happiest Refugee (2010). The author argues that Do’s self-deprecating humor smuggles trauma to Australian audiences through laughs, and she explores the ambiguity in Do’s ability to occupy opposing identities of the “Other” and the “Aussie kid|bogan” simultaneously. Additionally, the author discusses how Do’s use of humor in his life narrative negotiates model-minority expectations leveled against Asian Australians to turn, in a subtle way, what appears to be a joke on him into a joke about the audience.","PeriodicalId":37895,"journal":{"name":"a/b: Auto/Biography Studies","volume":"55 1","pages":"317 - 334"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"a/b: Auto/Biography Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08989575.2022.2136827","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Self-deprecating humor, the comedic act of making oneself the butt of the joke, is a staple of the Australian comedy industry and part of Australia’s national self-concept. Vietnamese Australian Anh Do is one of Australia’s most famous migrant comedians and performs self-deprecating humor while drawing on sometimes traumatic experiences from his personal life as part of his stand-up comedy sets. This essay examines how Do’s style of self-deprecating comedy extends from his stand-up comedy to his national bestselling memoir The Happiest Refugee (2010). The author argues that Do’s self-deprecating humor smuggles trauma to Australian audiences through laughs, and she explores the ambiguity in Do’s ability to occupy opposing identities of the “Other” and the “Aussie kid|bogan” simultaneously. Additionally, the author discusses how Do’s use of humor in his life narrative negotiates model-minority expectations leveled against Asian Australians to turn, in a subtle way, what appears to be a joke on him into a joke about the audience.
期刊介绍:
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.