THE LOGIC OF BINCAR-BONOM AND STRUCTURALISM ANALYSIS ON ROOM ARRANGEMENT OF DWELLING IN MANDAILING

Cut Nuraini, Hibnul Walid, M. Handayani
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引用次数: 2

Abstract

The structure on an idea of Singengu ancestor about Datu (Creator) which is gives tondi (spirit/soul) through direction of sun movement has established the logic of Bincar (sunrising direction) and Bonom (sunsetting direction). The logic of Bincar-Bonom with the axis point has been manifests in the form of myths about relationships between Datu (Creator/God), King (Datu’s agent in the world) and the ancestors which also form the structure of abstract space namely Bincar and Bonom. The structure of abstract space namely Bincar-Bonom in the next steps has transformed concretely on architectural phenomena as a place on room arrangement. Bincar-Bonom in the context of structural concept is transformed in to room arrangement phenomenon concretely which has  arrange the setting of bedroom for parent in the direction of Bonom and bedroom for son in the direction of Bincar with family room in the midle of it as axis point.
曼达林住宅房间布置的结构主义逻辑分析
辛格古祖先关于“大土”(造物主)通过太阳运动的方向给予“通迪”(精神/灵魂)的观念结构,确立了“Bincar”(日出方向)和“Bonom”(日落方向)的逻辑。以中轴线为点的Bincar-Bonom逻辑以大土(造物主/上帝)、王(大土在世界上的代理人)与祖先之间关系的神话形式表现出来,也形成了抽象空间结构,即Bincar-Bonom。在接下来的步骤中,抽象空间的结构即Bincar-Bonom在建筑现象上具体地转变为房间布置的地方。在结构概念的语境下,Bincar-Bonom被具体转化为房间的布置现象,父母卧室的设置在Bonom的方向,儿子卧室的设置在Bincar的方向,中间的家庭房为中轴线点。
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