Noir and Exilic Cinema: Fritz Lang’s Fury, Trauma, and the German Critique

IF 0.5 3区艺术学 0 FILM, RADIO, TELEVISION

JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2021-04-03 DOI:10.1080/01956051.2020.1832436

A. Young

引用次数: 0

Abstract

Abstract: The influx of European émigré filmmakers into the US film industry during the mid-1930s led to an exilic critique in Hollywood films. This study analyzes Fritz Lang’s Fury (1936) to explore the relationships between exile and trauma, engaging with issues of displacement, memory, the victim/perpetrator duality, and the loss of “home.”

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黑色与流放电影:弗里茨·朗的愤怒、创伤与德国批判

摘要:20世纪30年代中期，大批欧洲移民电影人涌入美国电影界，引发了好莱坞电影的流亡批判。本研究分析弗里茨·朗的《狂怒》(1936)，探讨流亡与创伤之间的关系，涉及流离失所、记忆、受害者/加害者二元性以及“家”的丧失等问题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.