Use of Gaussian Process to Model, predict and Explain Human Emotional response to Chinese Traditional Music

IF 0.7 4区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Jun Su, Pengcheng Zhou
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引用次数: 2

Abstract

Music listening is one of the most enigmatic of human mental phenomena; it not only triggers emotions but also changes our behavior. During the music session many people are observed to exhibit varying emotional response, which can be influenced by diverse factors such as music genre and instrument as well as the personal attributes of audiences. In this study, we assume that there is an intrinsic, complex and implicit relationship between the basic sound features of music and human emotional response to the music. The response levels of 12 individuals to a representative repertoire of 36 classical/popular Chinese traditional music (CTM) are systematically analyzed using the chills as a quantitative indicator, totally resulting in 432 ([Formula: see text]) CTM–individual pairs that define a systematic individual-to-music response profile (SPTMRP). Gaussian process (GP) is then employed to model the multivariate correlation of SPTMRP profile with 15 sound features (including 5 Timbres, 4 Rhythms and 6 Pitchs) and 5 individual features in a supervised manner, which is also improved by genetic algorithm (GA) feature selection and compared with other machine learning methods. It is shown that the built GP regression model possesses a strong internal fitting ability ([Formula: see text]) and a good external predictive power ([Formula: see text]), which performed much better than linear PLS and nonlinear SVM and RF, confirming that the human emotional response to music can be quantitatively explained by GP methodology. Statistical examination of the GP model reveals that the sound features contribute more significantly to emotional response than individual features; their importance increases in the order: [Formula: see text], in which the spectral centroid (SC), relative amplitude of salient peaks (RASP), ratio of peak amplitudes (RPA), sum of all rhythm histograms (SARH) and period of unfolded maximum peak (PUMP) as well as gender are primarily responsible for the response.
用高斯过程来模拟、预测和解释人类对中国传统音乐的情感反应
听音乐是人类最神秘的心理现象之一;它不仅会引发情绪,还会改变我们的行为。在音乐过程中,我们观察到许多人表现出不同的情绪反应,这可能受到音乐类型和乐器以及听众个人属性等多种因素的影响。在本研究中,我们假设音乐的基本声音特征与人类对音乐的情感反应之间存在内在的、复杂的和隐含的关系。本文系统分析了12个个体对36首古典/流行中国传统音乐(CTM)的代表性曲目的反应水平,以寒颤作为定量指标,共得到432对(公式:见文本)CTM -个体对,这些对定义了一个系统的个人对音乐反应谱(SPTMRP)。然后利用高斯过程(GP)对SPTMRP剖面与15个声音特征(包括5个Timbres, 4个rhythths和6个Pitchs)和5个个体特征的多变量相关性进行监督建模,并通过遗传算法(GA)特征选择进行改进,并与其他机器学习方法进行比较。结果表明,所建立的GP回归模型具有较强的内部拟合能力([公式:见文])和良好的外部预测能力([公式:见文]),其表现远远优于线性PLS和非线性SVM和RF,证实了人类对音乐的情绪反应可以用GP方法定量解释。对GP模型的统计检验表明,声音特征比个体特征对情绪反应的贡献更显著;其重要性按以下顺序增加:[公式:见文本],其中谱质心(SC)、显著峰相对幅值(RASP)、峰值幅值比(RPA)、所有节律直方图之和(SARH)和未展开最大峰周期(PUMP)以及性别是反应的主要原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Advances in Complex Systems
Advances in Complex Systems 综合性期刊-数学跨学科应用
CiteScore
1.40
自引率
0.00%
发文量
121
审稿时长
6-12 weeks
期刊介绍: Advances in Complex Systems aims to provide a unique medium of communication for multidisciplinary approaches, either empirical or theoretical, to the study of complex systems. The latter are seen as systems comprised of multiple interacting components, or agents. Nonlinear feedback processes, stochastic influences, specific conditions for the supply of energy, matter, or information may lead to the emergence of new system qualities on the macroscopic scale that cannot be reduced to the dynamics of the agents. Quantitative approaches to the dynamics of complex systems have to consider a broad range of concepts, from analytical tools, statistical methods and computer simulations to distributed problem solving, learning and adaptation. This is an interdisciplinary enterprise.
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