Alex Osei Afriyie, B. Asinyo, R. Seidu, Charles Frimpong
{"title":"Environmental sustainability through recycled polythene textile art","authors":"Alex Osei Afriyie, B. Asinyo, R. Seidu, Charles Frimpong","doi":"10.1080/14702029.2022.2069918","DOIUrl":null,"url":null,"abstract":"ABSTRACT Polythene bags, more commonly referred to as single-use plastics, are lightweight, non-biodegradable materials that pose numerous environmental threats. Recent research conducted by researchers and textile artists has sought to raise awareness about their effects. This studio practice recycled polythene bags into polythene weft yarns, interlaced with polyester warp yarns on a broadloom to create fabrics. This studio practice took place on the campus of Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Polythene bags were converted into yarns in continuous strands using soldering and knotting techniques. The studio creative process was guided by studio-based practice in accordance with the qualitative research design. The findings from the exploration phase and prototyping stage provided invaluable insight into creating the final woven fabrics. This study demonstrates the possibility of combining polyester warp yarns with recycled polythene bags as weft yarns into textile art. It also created the needed awareness to reduce the consumption of polythene bags in the country. Assessments from the study participants on the wearability and comfortability of the woven fabrics revealed that they are stiff and rough, making them only suitable as textile art.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"53 1","pages":"175 - 194"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2022.2069918","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Polythene bags, more commonly referred to as single-use plastics, are lightweight, non-biodegradable materials that pose numerous environmental threats. Recent research conducted by researchers and textile artists has sought to raise awareness about their effects. This studio practice recycled polythene bags into polythene weft yarns, interlaced with polyester warp yarns on a broadloom to create fabrics. This studio practice took place on the campus of Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Polythene bags were converted into yarns in continuous strands using soldering and knotting techniques. The studio creative process was guided by studio-based practice in accordance with the qualitative research design. The findings from the exploration phase and prototyping stage provided invaluable insight into creating the final woven fabrics. This study demonstrates the possibility of combining polyester warp yarns with recycled polythene bags as weft yarns into textile art. It also created the needed awareness to reduce the consumption of polythene bags in the country. Assessments from the study participants on the wearability and comfortability of the woven fabrics revealed that they are stiff and rough, making them only suitable as textile art.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research