Environmental sustainability through recycled polythene textile art

Q1 Arts and Humanities
Alex Osei Afriyie, B. Asinyo, R. Seidu, Charles Frimpong
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引用次数: 1

Abstract

ABSTRACT Polythene bags, more commonly referred to as single-use plastics, are lightweight, non-biodegradable materials that pose numerous environmental threats. Recent research conducted by researchers and textile artists has sought to raise awareness about their effects. This studio practice recycled polythene bags into polythene weft yarns, interlaced with polyester warp yarns on a broadloom to create fabrics. This studio practice took place on the campus of Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Polythene bags were converted into yarns in continuous strands using soldering and knotting techniques. The studio creative process was guided by studio-based practice in accordance with the qualitative research design. The findings from the exploration phase and prototyping stage provided invaluable insight into creating the final woven fabrics. This study demonstrates the possibility of combining polyester warp yarns with recycled polythene bags as weft yarns into textile art. It also created the needed awareness to reduce the consumption of polythene bags in the country. Assessments from the study participants on the wearability and comfortability of the woven fabrics revealed that they are stiff and rough, making them only suitable as textile art.
环境可持续性通过回收聚乙烯纺织艺术
聚乙烯袋,通常被称为一次性塑料,是一种重量轻、不可生物降解的材料,对环境构成了许多威胁。最近由研究人员和纺织艺术家进行的研究试图提高人们对其影响的认识。该工作室将回收的聚乙烯袋制成聚乙烯纬纱,在宽幅织机上与聚酯经纱交织,形成织物。这个工作室的实践发生在加纳库马西的Kwame Nkrumah科技大学的校园里。用焊接和打结技术将聚乙烯袋转化成连续的纱线。工作室的创作过程按照定性研究设计,以工作室为基础的实践为指导。探索阶段和原型制作阶段的发现为最终织物的制作提供了宝贵的见解。本研究展示了涤纶经纱与再生聚乙烯袋作为纬纱结合进入纺织艺术的可能性。它还创造了必要的意识,以减少国内塑料袋的消费。研究参与者对机织织物的耐磨性和舒适度的评估显示,它们又硬又粗糙,只适合作为纺织艺术品。
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来源期刊
Journal of Visual Art Practice
Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
自引率
0.00%
发文量
16
期刊介绍: The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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