“I’m not trying to be Tolstoy”: Women’s Authorship in Selected Television Series

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Avant Pub Date : 2021-01-01 DOI:10.26913/avant.2021.03.05
Nelly Strehlau
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引用次数: 0

Abstract

Authorship in television series is a complicated and self-contradictory notion, particularly given the collaborative nature of such texts. At the same time, the growing recognition of television as a significant art form has entailed the search for an artist to whom it can be attributed, and auteur theory has, in recent decades, become increasingly prominent in television criticism. Notably, the rank of auteur, and the prestige it confers, has been applied predominantly to men. The present article attempts to consider this context while analysing three ac-claimed television series depicting women writers, namely Sex and the City, Girls and I May Destroy You , noting their thematic similarities, including self-referentiality and consistent preoccupation with autobiographical writing and its ethical dimension. In addition, the article addresses the ways in which the three series interpret and deconstruct the figure of the woman artist.
“我不想成为托尔斯泰”:入选电视剧中的女性作者
电视连续剧的作者身份是一个复杂而自相矛盾的概念,特别是考虑到这些文本的合作性质。与此同时,人们越来越认识到电视是一种重要的艺术形式,这就要求人们寻找能够将其归功于一位艺术家。近几十年来,导演理论在电视批评中变得越来越突出。值得注意的是,导演的头衔和它所赋予的声望,一直主要是男性。本文试图考虑这一背景,同时分析三部以女性作家为主角的电视连续剧,即《欲望都市》、《都市女孩》和《我可能会毁了你》,并指出它们在主题上的相似性,包括自我指涉性和对自传写作及其伦理维度的一贯关注。此外,文章还探讨了三个系列对女性艺术家形象的解读和解构方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Avant
Avant HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
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0.00%
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0
审稿时长
8 weeks
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