A series of lively impressions: Quality narration and the rise of audio description

IF 1.5 3区 文学 Q2 COMMUNICATION
G. Peaty, Kathryn Locke, Kai-Ti Kao, Katie Ellis, Hersinta
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引用次数: 0

Abstract

This article investigates the multiple values of audio description (AD) across an increasingly discerning, broad and multi-platform audience of video consumers. While other accessibility features, such as closed captions, are an established aspect of accessible video consumption, AD has more recently emerged as a socially and culturally significant feature for audiences, both with and without vision-based disabilities. This article offers a review of historical accounts of AD and current discussions around both the quality and provision of AD for video. This discussion is presented alongside the findings from our three-way review of the accessibility of the video on demand landscape in Australia. We identify that AD is at a critical juncture, popularised by the rise in audio content and audience demands for personalised viewing options, thus becoming a mainstream entertainment issue as well as an accessibility issue.
一系列生动的印象:高质量的叙述与有声描述的兴起
本文探讨了音频描述(AD)在日益挑剔、广泛和多平台的视频消费者群体中的多重价值。虽然其他无障碍功能(如封闭字幕)是无障碍视频消费的一个已建立的方面,但AD最近才成为具有社会和文化意义的重要功能,无论是否有视觉障碍。本文回顾了视频广告的历史记录,以及围绕视频广告的质量和提供的当前讨论。这一讨论与我们对澳大利亚视频点播景观的可访问性的三方审查的结果一起提出。我们认为广告正处于一个关键时刻,随着音频内容的增加和观众对个性化观看选项的需求的增加,广告将受到欢迎,从而成为主流娱乐问题以及可访问性问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
7.10
自引率
4.20%
发文量
66
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