Exploring Situations Between Art and Pedagogy: The Dance Project Var Vrimmel as an Aesthetic Learning Process with Fourth Graders as Participants

V. Sortland, Ida Gudbrandsen
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引用次数: 2

Abstract

This article investigates aesthetic learning processes from the perspective of three dancers working in a school context. It is based on our own experiences from Var Vrimmel – a dance project carried out by the dance group Landing at a Norwegian primary school in 2019, where three dancers were “artists in residence” at a primary school for four weeks. We present three different formats, each with a different relationship between the dancers and the fourth graders participating in the project. Our intention is to outline, describe and discuss how our practice can facilitate aesthetic processes at the intersection between art and education. Our theoretical framework is based on John Dewey’s work, particularly his definition of aesthetic experience. Our aim is to contribute to understanding the notion of aesthetic learning processes and broaden perspectives on how artists could work in a school context and the roles they might have.
探索艺术与教育学之间的情境:以四年级学生为参与者的舞蹈项目Var Vrimmel作为审美学习过程
本文从三个舞蹈演员在学校工作的角度来研究审美学习过程。它是基于我们自己在Var Vrimmel的经验——这是一个由舞蹈团体Landing于2019年在挪威一所小学开展的舞蹈项目,其中三名舞者在一所小学担任了四周的“驻校艺术家”。我们呈现了三种不同的形式,每种形式都有舞者和参与项目的四年级学生之间不同的关系。我们的目的是概述、描述和讨论我们的实践如何在艺术和教育的交叉点促进审美过程。我们的理论框架是基于杜威的著作,特别是他对审美经验的定义。我们的目标是有助于理解美学学习过程的概念,并拓宽艺术家在学校环境中如何工作以及他们可能扮演的角色的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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