{"title":"O Diabo anda à solta: o culto a São Bartolomeu na Foz do Douro","authors":"Marisa Aparecida Pereira Santos","doi":"10.21747/2182-1097/14a18","DOIUrl":null,"url":null,"abstract":"On the 24th of August, the day when Saint Bartholomew takes possession of the waters and the Devil is on the loose, the believers of the 19th century headed to the beaches of Foz do Douro for the holy bath, in search of protection against skin diseases, stuttering or demonic effects. Through the saint, the sins of the former skin were expelled to make way for a renewed soul and body. This act of apotropaic and prophylactic nature was transferred to the cultural practice that we know today: the Cortejo dos Trajes de Papel de São Bartolomeu. This playful and spontaneous manifestation originated in the ancient religious festival, keeping the memory of the stripping of costumes in the waters.Based on the image of Saint Bartholomew from the parish church of São João da Foz do Douro, we intend in this study to reveal the evolution of the cult, the practices and rituals to which it was associated and how it can be understood as a support for cultural permeabilities, reinforcing the need of the study of the image in its context.","PeriodicalId":53268,"journal":{"name":"CEM Cultura Espaco Memoria","volume":"39 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CEM Cultura Espaco Memoria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21747/2182-1097/14a18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
On the 24th of August, the day when Saint Bartholomew takes possession of the waters and the Devil is on the loose, the believers of the 19th century headed to the beaches of Foz do Douro for the holy bath, in search of protection against skin diseases, stuttering or demonic effects. Through the saint, the sins of the former skin were expelled to make way for a renewed soul and body. This act of apotropaic and prophylactic nature was transferred to the cultural practice that we know today: the Cortejo dos Trajes de Papel de São Bartolomeu. This playful and spontaneous manifestation originated in the ancient religious festival, keeping the memory of the stripping of costumes in the waters.Based on the image of Saint Bartholomew from the parish church of São João da Foz do Douro, we intend in this study to reveal the evolution of the cult, the practices and rituals to which it was associated and how it can be understood as a support for cultural permeabilities, reinforcing the need of the study of the image in its context.
8月24日是圣巴塞洛缪(Saint Bartholomew)占领这片水域、魔鬼四处游荡的日子,19世纪的信徒们会前往福斯多杜罗(Foz do Douro)的海滩进行圣浴,以寻求预防皮肤病、口吃或恶魔影响的方法。通过圣人,以前的皮肤上的罪恶被驱逐,为更新的灵魂和身体让路。这种净化和预防性质的行为被转移到我们今天所知道的文化实践中:Cortejo dos Trajes de Papel de s o Bartolomeu。这种戏谑和自发的表现形式起源于古代的宗教节日,保留了水中脱衣的记忆。基于来自s o jo o da Foz do Douro教区教堂的圣巴塞洛缪的形象,我们打算在本研究中揭示邪教的演变,与之相关的实践和仪式,以及如何将其理解为对文化渗透性的支持,加强在其背景下研究形象的需要。