The image of The Holy blessed prince Alexander Nevsky in Russian painting and printed schedule of the first half of the 20th century

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Tatyana V. Belko, E. Y. Kuznetsova
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引用次数: 0

Abstract

The paper aims to study artistic interpretations of the image of the Blessed Prince Alexander Nevsky in the Russian visual arts of the first half of the 20th century. Being the patron Saint of the Imperial family Prince Alexander Nevsky becomes one of the Central heroes of the fine arts of the 19th century — temples are actively built in honor of the Saint, monumental paintings are created that popularize him as a Saint, warrior and hero. First half of 20th century — the time of the “revolution” in art, the time of searching for new heroes and methods of creating objects of fine art, and, of course, the time of political events on a global scale. The study focuses on the works of fine art from the point of view of the influence of artistic “isms” and political events on ideological and graphic rethinking of the image of Alexander Nevsky in Russian monumental painting and, actively developing at that time, printed graphics — poster and postcard. The authors examine the works of artists of the Russian style, avant-garde, social realism, define ideological message of the works, and use a selected set of materials to trace the trend of evolution of the image from a Saint to a political leader.
20世纪上半叶俄罗斯绘画和印刷时间表中的神圣祝福王子亚历山大·涅夫斯基的形象
本文旨在研究20世纪上半叶俄罗斯视觉艺术中对祝福王子亚历山大·涅夫斯基形象的艺术诠释。作为皇室的守护神,亚历山大·涅夫斯基王子成为19世纪美术的中心英雄之一——为纪念这位圣人而积极建造的寺庙,创作的纪念性绘画使他成为圣人、战士和英雄。20世纪上半叶——艺术“革命”的时代,寻找新的英雄和创造艺术对象的方法的时代,当然,也是全球范围内政治事件的时代。从艺术“主义”和政治事件对俄罗斯纪念性绘画和当时积极发展的印刷图形海报和明信片中亚历山大·涅夫斯基形象的思想和图形重新思考的影响的角度出发,研究美术作品。作者考察了俄罗斯风格、先锋派、社会现实主义艺术家的作品,界定了作品的意识形态信息,并使用精选的一组材料追溯了从圣人到政治领袖形象的演变趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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