Multiplexes in India: Building Castles in a Low-income Market of Uneven Geographies

Q4 Arts and Humanities
Sreeram Gopalkrishnan
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Abstract

The Indian film industry produces the highest number of movies in the world, in various languages, and casts a large shadow of influence on the socio-cultural landscape of the country. However, in terms of box-office value as a share of the total entertainment pie in India, films are a minor segment in a market with vast potential. The pandemic of 2020 drastically changed the fragile dynamics of the already-struggling film distribution and screening sector. Over the years, the Indian film business has staked its future on a business model forged around the “Mall-Multiplex” complex in a country that is mostly low-income or bottom of the pyramid (BoP). This exploratory article, with the help of existing data on theatre screen seats and high-potential population geographies, endeavours to understand India’s existing film entertainment business and sets out to spot the opportunities available for the low-priced film business as a value proposition.
印度的多厅影院:在不均衡的低收入市场上建造城堡
印度电影业以各种语言制作了世界上数量最多的电影,并对该国的社会文化景观产生了巨大的影响。然而,就票房价值在印度整个娱乐市场中所占的份额而言,电影在这个潜力巨大的市场中只是一个很小的部分。2020年的大流行彻底改变了本已举步维艰的电影发行和放映行业的脆弱动态。多年来,印度电影业把自己的未来押在了一种商业模式上,这种模式围绕着一个主要是低收入或金字塔底层(BoP)的国家的“商场-多厅”(Mall-Multiplex)综合体而形成。这篇探索性的文章,在剧院屏幕座位和高潜力人口地理位置的现有数据的帮助下,努力了解印度现有的电影娱乐业务,并着手发现低价电影业务作为价值主张的可用机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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