San rock paintings of women in the southern Maloti-Drakensberg and eastern Stormberg, Eastern Cape Province, South Africa: ritual specialists, potency and social conditioning

IF 1.1 2区 历史学 0 ARCHAEOLOGY
D. Green
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引用次数: 1

Abstract

ABSTRACT The investigation of gender and gender roles is crucial to understanding past lifeways. San rock art provides an important opportunity to do this because the paintings are specific, emic representations of how people were thinking and doing in the past. A gendered analytical lens can potentially provide new insights for an in-depth appreciation of the identities and personhood that San chose to depict and the stereotypes that were favoured. To explore this potential, quantitative and qualitative methods were used to record and analyse a selection of sites in two adjacent mountain regions of southern Africa: the southern Maloti-Drakensberg and the eastern Stormberg. This was done because we cannot merely assume that people living in adjacent areas identified in the same ways. Paintings of women were prioritised to show that with careful analysis of iconographic commonalities it is possible to clarify the nature of ‘indeterminism’ for the research areas. A binary understanding of gender can be identified in San ethnography and the San paintings of these areas in how men and women are presented. Significantly, the small number of images painted with either breasts or penises might on analysis show that specific aspects of their identities are being emphasised by these painted physical features and be a type of identity marking. In addition, there are significant differences in the number of women depicted in these mountain areas that may refer to variances in what stereotypes were favoured in space, and perhaps time. The paper argues that these paintings are multiplex because the importance of women ritual specialists, the reinforcement of specific conditioning behaviours and the status of individuals and groups of individuals are all highlighted in certain sites. Gender in humans and animals and the analysis of the variances in how gender is portrayed between different regions may have important implications for understanding differences in San personhood, individual and collective identities, identity marking and the roles of women and men.
南非东开普省Maloti-Drakensberg南部和Stormberg东部的女性岩画:仪式专家,效力和社会条件
性别和性别角色的研究对于理解过去的生活方式至关重要。圣岩艺术提供了一个重要的机会来做到这一点,因为这些画是特定的,是过去人们如何思考和行为的代表性代表。性别分析的镜头可能会为深入了解桑选择描绘的身份和人格以及所青睐的刻板印象提供新的见解。为了探索这一潜力,使用了定量和定性方法来记录和分析南部非洲两个相邻山区的选定地点:南部Maloti-Drakensberg和东部Stormberg。这样做是因为我们不能仅仅假设生活在邻近地区的人们以同样的方式识别。女性的画作被优先考虑,以表明通过对图像共性的仔细分析,有可能澄清研究领域“不确定性”的本质。对性别的二元理解可以在San人种学和这些地区的San绘画中找到,即如何呈现男性和女性。值得注意的是,通过分析,少量画有乳房或阴茎的图像可能表明,这些画有身体特征的图像强调了他们身份的特定方面,这是一种身份标记。此外,这些山区所描绘的妇女人数也有很大差异,这可能是由于在空间上,也许是在时间上,所偏爱的陈规定型观念存在差异。本文认为,这些绘画是多重的,因为在某些遗址中,女性仪式专家的重要性、特定条件行为的强化以及个人和个人群体的地位都得到了强调。人类和动物的性别以及对不同地区之间如何描绘性别的差异的分析可能对理解桑人人格、个人和集体身份、身份标记以及男女角色的差异具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.40
自引率
9.10%
发文量
18
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