{"title":"“PARA ALGO QUE ERA NUESTRO... AHORA ES DE TODA LA HUMANIDAD”: EL PATRIMONIO MUNDIAL COMO EXPRESIÓN DE CONFLICTOS","authors":"B. Santamarina, Camila del Mármol","doi":"10.4067/s0717-73562020005000301","DOIUrl":null,"url":null,"abstract":"espanolResumen: En este articulo nos interesa reflexionar sobre la naturaleza conflictiva del patrimonio, que suele ser silenciada por su potente imaginario como capital cultural, economico y social y como signo de distincion. A traves de un analisis detallado del proceso mediante el cual el tango y las fallas pasaron a formar parte de la Lista Representativa del Patrimonio de la Humanidad, nos adentramos en las dimensiones hegemonicas y de los procesos patrimoniales, asi como en la esencia beligerante de las resistencias locales que se enfrentan a las logicas del patrimonio neoliberal. Estos casos nos permiten vislumbrar las relaciones conflictivas que a menudo se establecen entre distintas logicas, intereses y agentes de la patrimonializacion, y nos permiten trazar puentes que contextualizan estos procesos en marcos politicos y de mercado mas amplios. Mas alla de las distancias y diferencias, podemos observar como el impulso de ambas candidaturas esta en relacion directa con las politicas de redefinicion urbana, conocidas como New Urban Policy (NUP). La mundializacion neoliberal articulada en la economia de los intangibles y en la industria cultural y del ocio y concretada en la ciudad creativa dibuja nuevos espacios urbanos sobre viejos lugares, ocupando el patrimonio inmaterial un lugar cada vez mas destacable. EnglishAbstract: In this article, we discuss the conflicting nature of heritage which is usually silenced by its powerful representation as a cul- tural, social and economic capital, and as a sign of distinction. We will focus on tango and fallas and how they both became registered in the Representative List of Intangible Heritage. Based on those cases, we explore the hegemonic dimension of heritage processes as well as the bellicose local resistances that confront the logic of neoliberal heritage. The examples throw some light on the conflicts that may arise between the different interests, logics and agents involved in heritage processes. They also reveal the nature of the political and economic contexts that make the heritagisation possible. Beyond the distances and specificities of our two cases, they expose how the two nominations coincide with specific policies of urban regeneration, known as the New Urban Policy (NUP). Neoliberal globalization articulated around the intangible economy and the cultural and leisure industry take shape within the smart cities which redefine old places into new urban spaces. Intangible heritage plays a key role in these processes.","PeriodicalId":46548,"journal":{"name":"Chungara-Revista De Antropologia Chilena","volume":"6 1","pages":"161-173"},"PeriodicalIF":0.7000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Chungara-Revista De Antropologia Chilena","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.4067/s0717-73562020005000301","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 9
Abstract
espanolResumen: En este articulo nos interesa reflexionar sobre la naturaleza conflictiva del patrimonio, que suele ser silenciada por su potente imaginario como capital cultural, economico y social y como signo de distincion. A traves de un analisis detallado del proceso mediante el cual el tango y las fallas pasaron a formar parte de la Lista Representativa del Patrimonio de la Humanidad, nos adentramos en las dimensiones hegemonicas y de los procesos patrimoniales, asi como en la esencia beligerante de las resistencias locales que se enfrentan a las logicas del patrimonio neoliberal. Estos casos nos permiten vislumbrar las relaciones conflictivas que a menudo se establecen entre distintas logicas, intereses y agentes de la patrimonializacion, y nos permiten trazar puentes que contextualizan estos procesos en marcos politicos y de mercado mas amplios. Mas alla de las distancias y diferencias, podemos observar como el impulso de ambas candidaturas esta en relacion directa con las politicas de redefinicion urbana, conocidas como New Urban Policy (NUP). La mundializacion neoliberal articulada en la economia de los intangibles y en la industria cultural y del ocio y concretada en la ciudad creativa dibuja nuevos espacios urbanos sobre viejos lugares, ocupando el patrimonio inmaterial un lugar cada vez mas destacable. EnglishAbstract: In this article, we discuss the conflicting nature of heritage which is usually silenced by its powerful representation as a cul- tural, social and economic capital, and as a sign of distinction. We will focus on tango and fallas and how they both became registered in the Representative List of Intangible Heritage. Based on those cases, we explore the hegemonic dimension of heritage processes as well as the bellicose local resistances that confront the logic of neoliberal heritage. The examples throw some light on the conflicts that may arise between the different interests, logics and agents involved in heritage processes. They also reveal the nature of the political and economic contexts that make the heritagisation possible. Beyond the distances and specificities of our two cases, they expose how the two nominations coincide with specific policies of urban regeneration, known as the New Urban Policy (NUP). Neoliberal globalization articulated around the intangible economy and the cultural and leisure industry take shape within the smart cities which redefine old places into new urban spaces. Intangible heritage plays a key role in these processes.
期刊介绍:
Chungara Revista de Antropología Chilena (The Journal of Chilean Anthropology, printed ISSN 0716-1182; online ISSN 0717-7356) was founded in 1972 by the Departamento de Antropología of Universidad del Norte and has been systematically published since then. Currently, it is printed in two issues per volume annually by the Departamento de Antropología, Universidad de Tarapacá, Arica Chile. It publishes original articles in the different fields of anthropology and other associated sciences that includes cultural or social anthropology, archaeology, bioarchaeology, ethnobotany, ethnohistory, geography, geology, geoarchaeology, history, linguistics, paleoecology, semiotics, zooarchaeology, conservation of cultural materials, and museology.