ANALYZING RACIAL PROPAGANDA AGAINST SOCIO-CREATIVE PERSPECTIVE IN SELECTED POEMS OF COUNTEE CULLEN AND LANGSTON HUGHES

Abrar Ahmed, Faisal Sajjad, Nabeela Gul
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Abstract

The social purpose of art expands its value and significance to problematize many social and political situations of day rather than limiting it to idea of aesthetic pleasure alone. African American philosophers, poets, and authors also attempt to project the issues of race and culture country is facing. They made an effort to create a strong literary framework despite various attempts at discrediting the significance of art and artists on global scale. Considering Alain Lock's idea of ‘Real art or Propaganda’ this paper examines true values of African American literature and takes it a step further to recognize the attempts made via literature to project their rights and preserve their culture and history. This influence never strays from true purpose of art and results in meaningful poems that appeal to human emotion and feelings on a universal level. They have historically given more weight to universal purpose of art, which is to arouse pleasure, and have utilized this as a platform to expose the systematic goal that disadvantages and presents negative picture of African American community.
从社会创造的角度分析库伦和兰斯顿休斯诗歌选集中的种族宣传
艺术的社会目的将其价值和意义扩展到对当今许多社会和政治状况提出问题,而不仅仅局限于审美愉悦的观念。非裔美国哲学家、诗人和作家也试图反映美国所面临的种族和文化问题。尽管在全球范围内对艺术和艺术家的重要性进行了各种诋毁,但他们还是努力创造了一个强大的文学框架。考虑到阿兰·洛克的“真正的艺术或宣传”的观点,本文探讨了非裔美国人文学的真正价值,并进一步认识到通过文学来表达他们的权利和保护他们的文化和历史的尝试。这种影响从未偏离艺术的真正目的,并产生了有意义的诗歌,这些诗歌在普遍层面上吸引了人类的情感和感受。他们在历史上更加重视艺术的普遍目的,即唤起快感,并以此为平台,揭露不利于和呈现非裔美国人社区负面形象的系统性目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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