Cultural Trauma of the Civil War of 1918 Staged and Commemorated in Finland

IF 0.1 3区 艺术学 0 THEATER
P. Paavolainen
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引用次数: 0

Abstract

The Centennial of one of the cruelest of European civil wars fought in Finland between the Reds and the Whites from January to May 1918 has evoked a spectrum of theatre productions illustrating variations of styles and approaches on the events. The turn in the treatment of this cultural trauma occurred with the interpretations and narrative perspectives that were fixed in the 1960s, when an understanding for the defeated Red side was expressed in historiography, literature and theatre. Since that, the last six decades the Finnish theatre and public discourse on the Civil War have been dominated by the Red narrative as the memory of the 1918 Civil War provided an important part in the new identity politics for the 1969 generation. Since the 1980’s the topic was mostly put aside so that before the 2018 revivals of the Civil War topic, the productions seem to have been reactions by the artists confronting the developments at the end of the Cold War. Some theatrical events can even be tied to the cultural trauma of the 1969 left evoked by the collapse of the socialist block. The Centennial productions repeated the Red narrative but they also provided more balanced interpretationson the tragic events.
1918年芬兰内战的文化创伤
1918年1月至5月,芬兰发生了欧洲最残酷的内战之一——红军和白军之间的内战。为纪念这场战争的一百周年,一系列戏剧作品展现了不同的风格和方式。对这一文化创伤的治疗发生了转变,这是在20世纪60年代固定的解释和叙事视角,当时对战败的红方的理解在史学、文学和戏剧中得到表达。从那以后,在过去的六十年里,芬兰戏剧和关于内战的公共话语一直被红色叙事所主导,因为1918年内战的记忆为1969年的一代提供了新的身份政治的重要组成部分。自20世纪80年代以来,这个主题大多被搁置一边,因此在2018年内战主题复兴之前,这些作品似乎是艺术家面对冷战结束时的反应。一些戏剧性事件甚至可以与1969年社会主义集团崩溃所引发的左翼文化创伤联系起来。百年纪念的作品重复了红色的叙事,但它们也对悲剧事件提供了更平衡的解释。
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CiteScore
0.50
自引率
0.00%
发文量
17
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