Referencias in/justas

IF 0.2 4区 艺术学 0 ARCHITECTURE
Ana Miljački, Fabrizio Gallanti
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引用次数: 0

Abstract

espanolPor lo general entendemos la disciplina como una coleccion de ejemplos previos que pueden ser utilizados y manipulados como referencias en el proceso de diseno. Sin embargo, ?nos hemos preguntado alguna vez hasta que punto estamos transgrediendo los derechos de autor de otros colegas? ?Somos conscientes de estas reglamentaciones? Esta entrevista no solo esclarece la historia del derecho de autor en arquitectura, sino que busca ademas las oportunidades y posibilidades subyacentes en esos conceptos juridicos. EnglishWe usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? This interview not only clarifies the history of copyright in architecture, but also seeks for the opportunities and possibilities underlying those legal concepts
我们通常将学科理解为以前的例子的集合,可以在设计过程中作为参考使用和操作。然而,我们有没有想过我们在多大程度上侵犯了其他同事的版权?我们知道这些规定吗?这次采访不仅阐明了建筑版权的历史,也寻找了这些法律概念背后的机遇和可能性。我们通常将该学科理解为以前示例的集合,这些示例可以作为设计过程的参考使用和操作。但是,我们有没有问过自己,我们在多大程度上侵犯了以前同事的版权?我们知道这些规定吗?这次采访不仅阐明了建筑版权的历史,还探讨了这些法律概念背后的机遇和可能性。
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来源期刊
ARQ
ARQ ARCHITECTURE-
CiteScore
0.20
自引率
0.00%
发文量
32
期刊介绍: ARQ is a journal of the School of Architecture of the Pontificia Universidad Católica de Chile and is part of the periodical publications of the University. ARQ is a quarterly publication aimed at professionals and academics, and dedicated to the dissemination of a critical selection of the architecture of Chile and South America and its related disciplines of ARQ Each issue addresses a theme that gives way to the editing, prioritizing excellence and variety of items, both papers as works and projects. The relationship with the academic world allows a permanent contact with international journals of architecture, with whom we develop regular exchanges.
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