{"title":"Computational analysis of the bundengan, an endangered musical instrument from Indonesia","authors":"I. Kusumaningtyas, G. Parikesit","doi":"10.1121/2.0000800","DOIUrl":null,"url":null,"abstract":"The bundengan is an endangered musical instrument from Indonesia. This musical instrument was first developed and played by duck herders. To build the half-dome-shaped resonator, bundengan makers create a woven grid of bamboo splits and arrange the weaving pattern such that the grid spontaneously forms the half-dome shape. The dome is then coated with layers of bamboo sheaths, strapped with sugar palm fibres to hold them in place. Inside the resonator, there is a set of long, thin bamboo plates and some strings. The strings are equipped with small bamboo clips, which vibrate together with the strings. The clipped strings generate metal-like sounds, while the bamboo plates generate drum-like sounds, such that the bundengan as a whole imitates the sound of a set of gamelan, an Indonesian instrumental ensemble. Interactions with the bundengan makers and players allow us to identify an important problem: players find it difficult not only to tune this instrument, but also to keep it tuned for a long time. We ...","PeriodicalId":20469,"journal":{"name":"Proc. Meet. Acoust.","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proc. Meet. Acoust.","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1121/2.0000800","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The bundengan is an endangered musical instrument from Indonesia. This musical instrument was first developed and played by duck herders. To build the half-dome-shaped resonator, bundengan makers create a woven grid of bamboo splits and arrange the weaving pattern such that the grid spontaneously forms the half-dome shape. The dome is then coated with layers of bamboo sheaths, strapped with sugar palm fibres to hold them in place. Inside the resonator, there is a set of long, thin bamboo plates and some strings. The strings are equipped with small bamboo clips, which vibrate together with the strings. The clipped strings generate metal-like sounds, while the bamboo plates generate drum-like sounds, such that the bundengan as a whole imitates the sound of a set of gamelan, an Indonesian instrumental ensemble. Interactions with the bundengan makers and players allow us to identify an important problem: players find it difficult not only to tune this instrument, but also to keep it tuned for a long time. We ...