Between Hip Hop and Me: Podcast Process Texts as Tools of Cultural Brokerage for Community Cultural Wealth

Jason J. Griffith, Anthony S. Celaya, J. Sweet
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引用次数: 1

Abstract

This research features a discourse analysis of two podcasts: the “Mobb Deep, Shook Ones, Pt. II” episode of Song Exploder and the “Rap on Trial” episode of Hidden Brain. We selected these podcasts through an abductive method of what we call “fortuitous listening” because of how they reveal community cultural wealth (CCW) through their descriptions of the creative process. Specifically, our study addressed two questions: (1) What does an examination of two Hip Hop podcast process texts reveal about CCW? (2) How could a discussion of the CCW that is revealed through descriptions of creative process inform literacy practices? Findings demonstrate how linguistic, familial, navigational, and aspirational capital exhibited in first-person descriptions of rap composition helped to showcase Hip Hop texts as what Bettina Love calls a “complex personhood” well-beyond simplified or stereotypical critiques. Because of how these process texts demonstrate the ways that Hip Hop feature Alim's ill-literacies criteria of being based on intimate, lived, and liberatory experiences, we posit them to be effective tools of cultural brokerage, particularly for educators wishing to enact Hip Hop-Based Education.
在嘻哈与我之间:播客过程文本作为社区文化财富的文化经纪工具
本研究以两个播客的话语分析为特色:《Song Exploder》的“mob Deep, Shook Ones, Pt. II”和《Hidden Brain》的“Rap on Trial”。我们通过一种我们称之为“偶然聆听”的诱拐方法选择了这些播客,因为它们如何通过对创作过程的描述来揭示社区文化财富(CCW)。具体来说,我们的研究解决了两个问题:(1)对两个嘻哈播客过程文本的检查揭示了关于CCW的什么?(2)通过对创造性过程的描述揭示出的对特定行为准则的讨论如何能够为扫盲实践提供信息?研究结果表明,语言、家族、导航和抱负资本如何在说唱作品的第一人称描述中表现出来,有助于展示嘻哈文本,Bettina Love称之为“复杂人格”,远远超出了简化或刻板的批评。由于这些过程文本展示了阿里姆基于亲密、生活和解放经验的不良文化标准的嘻哈特征,我们认为它们是文化中介的有效工具,特别是对于希望制定嘻哈基础教育的教育工作者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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