From ‘Peripheral’ Warsaw to No Less Marginal Groningen: Mieczysław Szczuka’s Artistic Influence on Hendrik Nicolaas Werkman

IF 0.4 3区 历史学 Q1 HISTORY
Michał Wenderski
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引用次数: 0

Abstract

ABSTRACT This article presents a remarkable case study of artistic influences between two avant-garde artists who still gain insufficient recognition in international accounts of European modern art, namely between Mieczysław Szczuka and Hendrik Nicolaas Werkman – eminent representatives of Polish and Dutch interwar avant-gardes, respectively. They both lived and worked far from historiographical artistic ‘centres’, did not travel much, yet their work indicates considerable influence exerted by one of these ‘peripheral’ artists on the other. Interestingly, it is the Polish artist Szczuka whose works became a source of artistic inspiration for the Dutchman Werkman, providing a remarkable example of East-West artistic influence that has so far rarely been recognized by the historiographers of the avant-garde. This particular case study is based on an analysis of preserved historical material and selected artworks that give evidence of Szczuka’s influence on Werkman and at the same time question historiographical assumptions regarding cultural mobility ‘from centres to peripheries’ and ‘from West to East’.
从“边缘”华沙到“边缘”格罗宁根:Mieczysław什祖卡对亨德里克·尼古拉斯·沃克曼的艺术影响
本文通过一个引人注目的案例研究,探讨了两位在欧洲现代艺术的国际报道中仍未得到充分认可的先锋艺术家之间的艺术影响,即Mieczysław Szczuka和Hendrik Nicolaas Werkman,他们分别是两次世界大战期间波兰和荷兰先锋艺术的杰出代表。他们的生活和工作都远离历史艺术“中心”,也没有经常旅行,但他们的作品表明,这些“边缘”艺术家中的一个对另一个施加了相当大的影响。有趣的是,波兰艺术家什祖卡的作品成为荷兰人沃克曼艺术灵感的来源,提供了一个东西方艺术影响的显著例子,迄今为止很少被先锋派的历史学家所认识。这个特殊的案例研究是基于对保存的历史材料和选定的艺术品的分析,这些材料和艺术品提供了Szczuka对沃克曼的影响的证据,同时质疑关于文化流动“从中心到边缘”和“从西方到东方”的史学假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
20.00%
发文量
6
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