Tak zwana „Wenecjanka”. Hipotezy dotyczące atrybucji i kulturowego obiegu włoskiej melodii popularnej w dobie oświecenia

{"title":"Tak zwana „Wenecjanka”. Hipotezy dotyczące atrybucji i kulturowego obiegu włoskiej melodii popularnej w dobie oświecenia","authors":"Lidia Ignaczak","doi":"10.18318/pl.2020.1.9","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"1 1","pages":"137-170"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PAMIETNIK LITERACKI","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18318/pl.2020.1.9","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}