Menilik Kedudukan dan Ideologi Kinan di Series Layangan Putus dalam Perspektif Islam

Jonathan Adi Wijaya, Peter Bruno Sarbini
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Abstract

This article focuses on the web series Layangan Putus that is broadcast on one of the online video channels. The author tries to see the position of the wife in the character Kinan who became the main character in the web series Layangan Putus. By raising the theme of household and the presence of a third person in the household, the web series Layangan Putus became popular in the community. Kinan, who betrayed by Aris with his manipulative demeanor, becomes a central figure who fighting for herself and her family. With regard to research’s aim, this article proposed issues: (1) Does Kinan display the figure of a wife who is filial to the husband in accordance with the Islamic perspective? (2) What is the ideology displayed from this broken Kite web series? This article uses John Fiske's semiotics methods with literature studies and interviews with people around the author who understand the problems in this article. The results showed that Kinan was a loyal wife and devoted to her husband. Kinan is very much trying for a marriage that is sakinah, mawadah, and warohmah. Despite conflicts within her family, Kinan never exposed the matter to others, including his mother. This Kite Break up web series shows the existence of feminism and patriarchal ideologies in storylines and characterization
本文聚焦于其中一个线上视讯频道播放的网路剧集《Layangan Putus》。作者试图从网络连续剧《拉扬甘·普图斯》的主人公基南身上看到妻子的地位。通过提出家庭主题和家庭中第三人的存在,网络系列《Layangan Putus》在社区中受到欢迎。被阿里斯背叛的基南,以他的操纵行为,成为了一个为自己和家人而战的核心人物。关于研究目的,本文提出了以下问题:(1)基南是否按照伊斯兰教的观点展现了一个孝顺丈夫的妻子形象?(2)这个破碎的风筝网系列展示了什么样的意识形态?本文运用John Fiske的符号学方法进行文献研究,并采访了理解本文问题的作者周围的人。结果表明,基南是一个忠诚的妻子,对丈夫忠诚。基南非常想要一个sakinah, mawadah和warohmah的婚姻。尽管她的家庭内部存在矛盾,基南从未把这件事告诉其他人,包括他的母亲。这部《风筝分手》网络剧在故事情节和人物塑造上展现了女权主义和男权意识形态的存在
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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