The Imasuen factor in the Benin language videofilm sector of Nollywood

Osakue Stevenson Omoera
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Abstract

The phenomenal rise of Lancelot Oduwa Imasuen (LOI) as a filmmaker and director in Nollywood and indeed in Africa is worth probing and documenting for posterity of scholars and professionals, especially against the backdrop of his native Benin (Edo) language videofilm industry and tradition, which he has given his gestaltist support so effusively in terms of technical finesse, global exposure, great storylines, actor/talent development and business architecture, among others. Using the interview, direct observation and literary methods, this article engages LOI in a conversation aimed at unburdening or unpacking the contents of his mind as regards Nollywood and African films, with the hope that upcoming African film producers and directors, especially in the Benin film sector of Nollywood, will gain from his wide-ranging experiences and his perspectives on the current issues that tug at the heart of the globalizing African film tradition and industry called Nollywood.
奈莱坞贝宁语视频电影部门的Imasuen因素
兰斯洛特·奥杜瓦·伊马森(Lancelot Oduwa Imasuen, LOI)作为一名电影制作人和导演在诺莱坞乃至非洲的惊人崛起,值得学者和专业人士的后代探索和记录,尤其是在他的家乡贝宁语(Edo)视频电影产业和传统的背景下,他在技术技巧、全球曝光、伟大的故事情节、演员/人才发展和商业架构等方面给予了他的格式塔式支持。本文采用访谈、直接观察和文献方法,与LOI进行了一场对话,旨在卸下他对诺莱坞和非洲电影的负担或内容,希望即将到来的非洲电影制片人和导演,特别是在诺莱坞的贝宁电影部门,将从他广泛的经验和他对当前问题的看法中获益,这些问题正拉扯着全球化的非洲电影传统和被称为诺莱坞的工业的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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