Maher Habbob, Nubian Proverbs (Fadijja/Mahas). Goleta CA: Dotawo (pb US$21 – 978 1 68571 018 7). 2022, xiii + 146 pp.

Peter Unseth
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引用次数: 0

Abstract

war’ (as discussed in a 1978 letter Savoy references) are evidence that the rhetoric and tactics employed to undermine restitution efforts a half-century ago do not simply remain with us but were formative in the production of today’s contentious cultural property landscape, an ongoing and enduring haunting. As such, Africa’s Struggle for Its Art is both a warning sign and a roadmap that helps clarify the mechanisms through which postcolonial defeat is reproduced across generations. While the book ostensibly examines the spectre of decades-old European restitution debates, its richness lies in its pertinence to the multiple intersecting ‘crises’ through which we are living and, perhaps optimistically, a parable for ways to navigate the pitfalls and failures of our forebears as we move through this current moment of institutional decolonization.
战争”(正如1978年萨沃伊引用的一封信中所讨论的那样)证明了半个世纪前用于破坏归还努力的言论和策略不仅存在于我们之中,而且在今天有争议的文化财产景观的生产中形成了一个持续而持久的困扰。因此,非洲为其艺术而斗争既是一个警告信号,也是一个路线图,有助于阐明后殖民失败在几代人之间复制的机制。虽然这本书表面上审视了几十年前欧洲归还争议的幽灵,但它的丰富之处在于它对我们正在经历的多重交叉“危机”的针对性,也许乐观地说,它是一个寓言,在我们经历当前制度性非殖民化的时刻,为我们的先辈们的陷阱和失败提供了指引。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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