Bioregion, Biopolitics, and the Creaturely List: The Trouble with FaunaWatch

IF 0.1 4区 文学 0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN
Tanis Macdonald
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Abstract

Canada’s tradition of nature poets who are also philosophically astute (or, conversely, philosophical poets who are astute about bioregionality) is long and would include Don McKay, Tim Lilburn, and Jan Zwicky, to name just a few.  My own practice of observing and archiving animals, and writing about such archiving practices, an ongoing project called FaunaWatch, has made it clear that nothing about doing so is simple, just as nothing about being the owner-operator of a fleshy body is simple. This essay examines my practice of observation and archiving a bioregional creaturely list as an important critical and creative process, though one that is powered by an acquisitive energy, raising questions about the culture of sighting and “collecting” sights. FaunaWatch, as practice and as project, has increased in complexity precisely because of its humble (and humbling) beginnings, growing as it did out of my intense desire to fix myself in the realities of my geographical location in southwestern Ontario. When a hybrid of scholarly discourse and bioregional presence goes into the woods, it is no real surprise to find the organic impulse of the poem and the biological organism, the animal self and the animal other, undermined by uncertainty.
《生物区域、生物政治和生物名单:动物观察的麻烦》
加拿大自然诗人在哲学上也很精明(或者相反,哲学诗人对生物地域性也很精明)的传统由来已久,其中包括唐·麦凯、蒂姆·利尔本和扬·兹威基,仅举几例。我自己的观察和记录动物的实践,以及关于这种记录实践的写作,一个正在进行的名为“FaunaWatch”的项目,已经清楚地表明,这样做并不简单,就像做一个有肉的身体的所有者和操作者并不简单一样。这篇文章将我的观察和存档生物区域生物清单的实践作为一个重要的批判性和创造性的过程,尽管它是由一种获取的能量驱动的,提出了关于观察和“收集”景观文化的问题。FaunaWatch,作为一个实践和项目,其复杂性的增加恰恰是因为它卑微的(和卑微的)开始,它的发展源于我强烈的愿望,即把自己固定在安大略省西南部的现实地理位置上。当一种学术话语和生物区域存在的混合体进入森林时,发现诗歌和生物有机体的有机冲动,动物的自我和动物的他者,被不确定性所破坏,这并不奇怪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE
STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN-
CiteScore
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