The Social Role of the Designer in the Knowledge Society

Q2 Arts and Humanities
L. Imbesi
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引用次数: 0

Abstract

: "Liquid modernity" has been a conceptual framing used to explain the historical changes connected with the end of the big narratives of the 20th century. The metaphor of "fluidity" -- lightness, mobility, and changeability --offers an alternative to modernity's fixed, rigid shapes. In this context, as a form of material production, the physical project seems to be challenged by the spread of spatial mobility of people and goods and the permeability of every physical limit from informational fluxes. The changes seem to outline the "end" of the progressive role of the "solid" project and thus any positive interpretation of modern myths which seem pressured to be "liquefied." What is the role of designers in a world where everything appears to be already "built"? Where do we locate Design in the contemporary knowledge society? What are the chances for participation and networking connected with the use of new technologies?
知识社会中设计师的社会角色
“流动的现代性”一直是一个概念框架,用来解释与20世纪大叙事结束有关的历史变化。“流动性”的隐喻——轻盈、机动性和可变性——为现代固定、僵化的形状提供了另一种选择。在这种背景下,作为物质生产的一种形式,物理项目似乎受到了人员和货物空间流动性的扩散以及信息流动的每一个物理限制的渗透性的挑战。这些变化似乎勾勒出了“固体”工程的进步作用的“终结”,因此对现代神话的任何积极解释似乎都被迫“液化”。在一个一切似乎都已经“建成”的世界里,设计师的角色是什么?在当代知识社会中,我们如何定位设计?与使用新技术有关的参与和联网的机会是什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Design Principles and Practices
Design Principles and Practices Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
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0.00%
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