The Ambiguity of Mimesis: Kierkegaard between Aesthetic Fantasy and Religious Imitation

IF 0.2 0 PHILOSOPHY
Nicola Ramazzotto
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引用次数: 0

Abstract

Abstract This paper attempts to investigate Kierkegaard’s thought through the category of mimesis. First, two meanings of the word are distinguished and analyzed: the archaic meaning that links it to the concept of re-enactment, and the traditional meaning that links it to the aesthetic field of art. These two meanings are then considered in relation to Kierkegaard’s opus, showing the oscillation of mimesis as corresponding to that between the aesthetic, which lives in fantasy and in the unfulfilled possibility, and the religious, which finds its identity in the imitation of Christ and in the transparent relationship to God.
模仿的模糊性:克尔凯郭尔审美幻想与宗教模仿之争
摘要本文试图从摹仿的范畴来考察克尔凯郭尔的思想。首先,对该词的两种含义进行了区分和分析:将其与re-enactment概念联系起来的古代含义和将其与艺术审美领域联系起来的传统含义。这两种意义是与克尔凯郭尔的作品相联系的,它显示了模仿的振荡,它对应于美学和宗教之间的振荡,美学生活在幻想和未实现的可能性中,而宗教则在模仿基督和与上帝的透明关系中找到自己的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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