{"title":"Memoirs of the Colored Girls Museum: For Blackgirls Everywhere to Remember That Our Love Is Enuf","authors":"L. Cahill","doi":"10.1353/wsq.2022.0019","DOIUrl":null,"url":null,"abstract":"Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.","PeriodicalId":23857,"journal":{"name":"Wsq: Women's Studies Quarterly","volume":"os-9 1","pages":"229 - 245"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wsq: Women's Studies Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsq.2022.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.