Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Mikko Toivanen
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引用次数: 0

Abstract

ABSTRACT The article examines the uses of visual culture and visual representations of time in two major public anniversaries in nineteenth-century colonial Southeast Asia: the 35th anniversary of Singapore in 1854 and the 250th anniversary of Batavia (now Jakarta) in 1869. The authorities in these two major colonial cities, capitals of the British Straits Settlements and the Dutch East Indies respectively, made use of these occasions to celebrate colonial rule, but also to project specific and contrasting messages to their intended audiences. These messages were embodied in a range of visual cues, representations, and events throughout the anniversary programmes, including images, sculptures, decorations, architecture, theatrical performances, and balls. Analysing this range of visual materials and focusing on the fleeting and spatially specific experience of the ceremonies rather than durable material representations, this article shows that the two anniversaries embodied strikingly different conceptualisations of historical time and imperial self-fashioning: one broadly presentist and forward-looking, the other far more past-oriented. Connecting these cultural differences to the diverging historical circumstances of the two colonies at the time, the article argues that imperial visual culture, especially in relation to practices of commemoration, was both global and transnational in its re-employment of metropolitan models on the one hand and highly locally specific on the other, responding to needs that were specific to the time and the place.
展示帝国时代:19世纪中期新加坡和巴达维亚周年纪念的视觉文化
摘要:本文考察了视觉文化和时间的视觉表现在19世纪东南亚殖民地的两个重大公共纪念日中的应用:1854年新加坡成立35周年和1869年巴达维亚(现雅加达)成立250周年。这两个主要殖民城市的当局,分别是英属海峡殖民地和荷属东印度群岛的首都,利用这些场合来庆祝殖民统治,但也向他们的目标受众传达具体和对比鲜明的信息。这些信息体现在一系列视觉线索、表现和贯穿整个周年纪念活动的活动中,包括图像、雕塑、装饰、建筑、戏剧表演和舞会。本文分析了这些视觉材料的范围,并将重点放在仪式的短暂和空间特定体验上,而不是持久的材料表征上,表明这两个纪念日体现了历史时间和帝国自我塑造的截然不同的概念:一个是广泛的现实性和前瞻性,另一个则更以过去为导向。将这些文化差异与当时两个殖民地不同的历史环境联系起来,文章认为,帝国的视觉文化,特别是与纪念实践有关的文化,一方面在重新使用大都市模式方面具有全球性和跨国性,另一方面又具有高度地方性的特殊性,回应了当时和地点的特定需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Early Popular Visual Culture
Early Popular Visual Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
50
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