‘Lembi di patria di là dall’oceano’: Incom newsreels and emigration in Argentina

IF 0.2 0 FILM, RADIO, TELEVISION
Massimiliano Gaudiosi
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引用次数: 1

Abstract

This article investigates the ways in which the newsreel La Settimana Incom portrayed emigration in Argentina during the post-Second World War era, when Latin America opened its borders wide to European workers. At the end of the 1940s, the Italian government signed bilateral agreements with Argentina and sponsored migratory practices ‐ a dramatic solution for widespread unemployment ‐ through an unprecedented promotional campaign. La Settimana Incom played a crucial role in this campaign: items on Argentina offer special insight into the rhetorical methods used for the representation of emigration through the growth of a modern Italy. The main argument of this article is that by analysing La Settimana Incom ‐ and using some models proposed by Michail Bakhtin for this purpose ‐ an ideological ‘mission’ behind the attention paid to emigration, a topic previously identified with traditional Italian values, can be discerned.
“海外家园”:Incom新闻和移民到阿根廷
这篇文章调查了新闻片La Settimana Incom描述二战后阿根廷移民的方式,当时拉丁美洲向欧洲工人开放了边境。在20世纪40年代末,意大利政府与阿根廷签署了双边协议,并通过前所未有的宣传活动赞助了移民实践——这是解决普遍失业问题的一个戏剧性方案。La Settimana Incom在这场运动中发挥了至关重要的作用:关于阿根廷的项目提供了对通过现代意大利的发展来代表移民的修辞方法的特殊见解。本文的主要论点是,通过分析La Settimana Incom,并使用Michail Bakhtin为此目的提出的一些模型,可以看出对移民的关注背后的意识形态“使命”,这个话题以前被认为是传统意大利价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
53
期刊介绍: Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.
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