Perspectivas sobre el arte mudéjar en Hispanoamérica y las Canarias. Definición y reformulación

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Atenea Pub Date : 2020-06-09 DOI:10.29393/at521-6pama10006

A. Alberto

引用次数: 0

Abstract

The historiography dedicated to the study of Mudejar art in Latin America and the Canary Islands has evolved over the years. The Spanish mudejaristas were the first to study the phenomenon, extrapolating the knowledge, theories and terminology developed in the study of Iberian cases to those observed in colonized territories. This has led to misapplications that do not respond to the particular needs of this cultural legacy. In this article, we first review the state of the question in order to establish definitions and reformulate concepts such as Mudejar art, cultural survival, roots or tradition.

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对西班牙美洲和加那利群岛mudejar艺术的看法。定义和重新表述

致力于研究拉丁美洲和加那利群岛的穆德哈尔艺术的史学多年来一直在发展。西班牙的mudejaristas是第一个研究这一现象的人，他们将在伊比利亚案例研究中发展起来的知识、理论和术语推断到在殖民地观察到的情况。这导致了不符合这种文化遗产特殊需求的误用。在本文中，我们首先回顾问题的状态，以便建立定义和重新制定诸如穆德哈尔艺术，文化生存，根源或传统等概念。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Atenea HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The journal Atenea, published by the University of Concepcion, is published twice a year. Its objective is to circulate research and critical reflection in the area of Chilean and Latin American Culture. It includes relevant themes of different disciplines (literary, sociological, fine arts, historical, scientific, etc.), arising from research and studies coming from the university and intellectual areas of Chile and Latin America. It is a publication aimed at researchers, thinkers, artists and readers in general who are interested in the development of ideas, knowledge and critical intellectual dialogue.