Imaging Genoa in Late Medieval England

IF 0.1 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Joseph L. Grossi
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引用次数: 1

Abstract

Medieval European writers often created images of the Middle East, Asia, and Africa that disclose Western cultural assumptions rather than objective truths about the exotic “Other.” The same has been said, though less frequently, about representations of one Western European locale by another. In exploring the widespread interest in Genoa revealed in a variety of late medieval English writings, the present essay shows that the truth about this city and its merchants, mercenaries, and pirates often mattered less than the fear and distrust that pervade their depiction. Reactions varied, but generally while fourteenth-century English writing warns of a Genoese menace to England from afar, Lancastrian-era compositions identify a potential Genoese threat within England itself. Despite its frequent appearance, though, this danger always vanishes and seems rather to heighten English national self-awareness than to jeopardize English national security.
中世纪晚期英格兰的热那亚
中世纪的欧洲作家经常创作中东、亚洲和非洲的形象,这些形象揭示了西方文化的假设,而不是关于异域“他者”的客观事实。关于一个西欧地区对另一个西欧地区的表现也有同样的说法,尽管不那么频繁。在探索各种中世纪晚期英国著作中揭示的对热那亚的广泛兴趣时,本文表明,关于这座城市及其商人、雇佣兵和海盗的真相往往不如他们描述中弥漫的恐惧和不信任来得重要。人们的反应各不相同,但总的来说,14世纪的英语写作警告人们热那亚人从远方对英格兰构成威胁,而兰开斯特时代的作品则认为热那亚人对英格兰构成了潜在的威胁。然而,尽管这种危险经常出现,但它总是消失,似乎更像是提高了英国的民族自我意识,而不是危害英国的国家安全。
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来源期刊
Viator - Medieval and Renaissance Studies
Viator - Medieval and Renaissance Studies Arts and Humanities-History
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0.20
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