{"title":"Per una ‘poesia dell’acqua’. Progettare paesaggi fluviali urbani","authors":"A. Valentini","doi":"10.36253/rv-14718","DOIUrl":null,"url":null,"abstract":"Water in its many forms has always fascinated designers for its ductility and ability to create innumerable landscapes, as variable as its own drops which, according to recent studies, are no longer as identical as we have thought up to now. Paraphrasing Susan and Geoffrey Jellicoe, this article “deals with the poetry of water in the making of landscape and architecture” (Jellicoe, 1971, p. 9). It is just to define that “poetry of water” that we reflect, obviously without the pretension of imitating the great masters, with particular attention to the urban context. We reflect on the changing and dynamic nature of river landscapes and its transversal pulsating depth which is of relationships with the urban texture; on the need of a network, imagined as two-colored (green and blue); on the importance to read the traces and reinterpreting them in a poetic key, making water emerge as an active component within the urban body. These are only some suggestions, such as notes in the designer’s notebook for a landscape-oriented project for the urban river landscapes.","PeriodicalId":21272,"journal":{"name":"Ri-Vista. Research for landscape architecture","volume":"22 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ri-Vista. Research for landscape architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/rv-14718","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Water in its many forms has always fascinated designers for its ductility and ability to create innumerable landscapes, as variable as its own drops which, according to recent studies, are no longer as identical as we have thought up to now. Paraphrasing Susan and Geoffrey Jellicoe, this article “deals with the poetry of water in the making of landscape and architecture” (Jellicoe, 1971, p. 9). It is just to define that “poetry of water” that we reflect, obviously without the pretension of imitating the great masters, with particular attention to the urban context. We reflect on the changing and dynamic nature of river landscapes and its transversal pulsating depth which is of relationships with the urban texture; on the need of a network, imagined as two-colored (green and blue); on the importance to read the traces and reinterpreting them in a poetic key, making water emerge as an active component within the urban body. These are only some suggestions, such as notes in the designer’s notebook for a landscape-oriented project for the urban river landscapes.
水的多种形态一直吸引着设计师,因为它的延展性和创造无数景观的能力,就像它自己的水滴一样多变,根据最近的研究,它不再像我们迄今为止所认为的那样相同。套用Susan和Geoffrey Jellicoe的话,这篇文章“在景观和建筑的制作中处理水的诗歌”(Jellicoe, 1971, p. 9)。这只是为了定义我们所反映的“水的诗歌”,显然没有模仿大师的假装,特别注意城市文脉。我们反思河流景观的变化和动态性质及其与城市肌理的横向脉动深度;关于网络的需求,想象成双色(绿色和蓝色);关于阅读痕迹的重要性,并以诗意的方式重新诠释它们,使水成为城市主体中的一个活跃组成部分。这些只是一些建议,比如设计师笔记本上关于城市河流景观的景观导向项目的笔记。