From Adfectatio to “Affectation”: Affection as Catachresis in Shakespearean Texts

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Brad Buchanan
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引用次数: 0

Abstract

Abstract:This article argues that the catachrestic usage of “affection to mean “affectation” in Shakespearean drama may be best understood with reference to Quintilian’s Institutio oratoria, which employs catachresis in using the existing Latin word adfectatio to render the Greek word ϰαϰόζηλον [cacozēlon]. Quintilian’s influential picture of the all-encompassing rhetorical vice of adfectatio, his catachrestic practice, and his descriptions of catachresis as both a necessary extension of the meaning of an existing word and a poetic device, appear to have influenced Shakespeare’s portrayal of some of his most complex and articulate characters, among them Hamlet and Leontes (of The Winter’s Tale). Through these characters and their catachrestic speeches, we are forced to contend with the possibility that their “affections” may be nothing more (or less) than “affectations.”
从摹仿到“矫揉造作”:莎士比亚文本中的情感宣泄
摘要:本文认为,莎士比亚戏剧中用“affect”来表示“affectation”,最好的理解是参考昆提连的《Institutio oratoria》。昆提连的《Institutio oratoria》使用catachresis,用现有的拉丁语单词adfectatio来表示希腊语单词ϰαϰόζηλον [cacozēlon]。昆提利安对各种修辞手法的模仿,他的直言不讳的实践,以及他对直言不讳的描述,既是现有词语意义的必要延伸,也是诗歌的一种手段,似乎影响了莎士比亚对一些最复杂、最善于表达的人物的描绘,其中包括哈姆雷特和莱昂提斯(《冬天的故事》)。通过这些人物和他们教化式的演讲,我们不得不与这样一种可能性作斗争,即他们的“情感”可能只不过是“做作”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Res Rhetorica
Res Rhetorica HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
16
审稿时长
12 weeks
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