Some remarks on hypergestural homology of spaces and its relation to classical homology

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
J. Arias-Valero, E. Lluis-Puebla
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引用次数: 8

Abstract

Classical homology of a topological space provides invariants of the space by means of triangulation or squaring made up from singular simplices (simplicial homology) or singular cubes (cubical homology) in the space. In much the same way, Mazzola's hypergestural homology intends to associate invariants to topological categories and, in particular, topological spaces by means of approximation with hypergestures playing the role of singular simplices and singular cubes. In this article, we locate Mazzola's hypergestural homology as a special kind of abstract cubical homology and propose two variations of Mazzola's construction, corresponding to simple geometric and physical interpretations of boundaries of hypergestures. Moreover, we discuss the relationship between hypergestural homology and classical cubical homology and prove that in many cases, one of our hypergestural homologies is invariant under homotopy equivalence of spaces, which is the main result of the article. Also, based on some examples, several structural improvements of hypergestural homology are suggested. However, one of these examples suggests that hypergestural homology could provide combinatorial information about a topological space beyond classical homology. Our computations are based on an explicit presentation of hypergestures, not included in previous works on gesture theory. This article has an Online Supplement, in which we expose some technical details, including the proof of the main result.
空间的超手势同调及其与经典同调的关系
拓扑空间的经典同调通过由空间中的奇异单形(简单同调)或奇异立方体(立方同调)组成的三角化或平方来提供空间的不变量。同样地,Mazzola的超手势同调试图通过逼近超手势扮演奇异单形和奇异立方体的角色,将不变量与拓扑范畴,特别是拓扑空间联系起来。在本文中,我们将Mazzola的超手势同调定位为一种特殊的抽象立方体同调,并提出了Mazzola结构的两种变体,对应于超手势边界的简单几何和物理解释。此外,我们还讨论了超手势同调与经典立方同调的关系,并证明了在许多情况下,我们的一个超手势同调在空间的同伦等价下是不变的,这是本文的主要结果。最后,结合实例,提出了超手势同源性在结构上的改进。然而,其中一个例子表明,超手势同调可以提供超越经典同调的拓扑空间的组合信息。我们的计算是基于超手势的明确表示,不包括在手势理论以前的工作。本文有一个在线补充,其中我们揭示了一些技术细节,包括主要结果的证明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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