To travel is to Look, to Look is to Relate

IF 0.3
E. Gallegos, Jaime Otazo
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引用次数: 0

Abstract

Generally, analyzes of Otto Nordenskjöld’s trip to the Antarctic (1901-1904) ignore the preparations that required a previous trip to Chilean-Argentine Patagonia (1894-1897). Even more, these analyzes forget the Colonial dimension of this expedition. This paper intends to fill this void considering for the analysis two images present in the Swedish travel story. The concept of iconology is proposed here as a link between the image (icons) and the story (logos). The aim is to analyze the iconology to discuss the meaningful configuration of an identity gaze—the Europeans—and a gaze on the otherness—the indigenous. The results show that in the iconology presented in the story and in the images, appear paradoxical elements that allow questioning the relevance of the identity-alterity dichotomy through the appearance of third spaces.
旅行就是去看,去看就是去联系
一般来说,对奥托Nordenskjöld南极之旅(1901-1904)的分析忽略了之前需要前往智利-阿根廷巴塔哥尼亚(1894-1897)的准备工作。更重要的是,这些分析忘记了这次探险的殖民维度。本文拟通过分析瑞典旅行故事中的两个形象来填补这一空白。这里提出了图像学的概念,作为图像(图标)和故事(标志)之间的联系。目的是分析图像学,以讨论身份注视(欧洲人)和对他者注视(土著)的意义配置。结果表明,在故事和图像中呈现的图像学中,出现了矛盾的元素,这些元素允许通过第三空间的出现质疑身份-另类二分法的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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