Reviving the Sphinx by Means of Constants - Codes in a Creative Space

Hristo Smolenov
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Abstract

This paper deals with ancient codes embedded in world famous artefacts like the Sphinx and pyramids on the plateau of Giza. The same spatial codes are to be found materialized in the most ancient processed gold on Earth – the treasure trove of Varna Necropolis (4600 – 4200 BC). Amazing is the match found between those two groups of artefacts, bearing in mind that the gold from Varna Necropolis is at least 2000 years older than the pyramids. But the prototype of their sacred measure – the so called royal cubit – emerges in the system of measures related to the famous Varna Necropolis. It is there that I have been able to identify the prototypes of universal constants like the Golden ratio and Pi. The synergy of those two constants is there for us to uncover – for instance Pi times the Golden ratio. It is the simplest one in an array of complex proportions which come into effect in regard to primeval gold artefacts as well as pyramids. Surprisingly, the synergy of Pi with an exotic variant of the Golden ratio allows for the inference of a specific number, which matches the Inverse Fine structure constant. For this inference the ratio between the Planck-length and the Light second will be a starting point. On the one hand is the minimum span in the Space-time continuum (the Planck length), and on the other hand - the distance covered by light in vacuum within one second of time (the Light second). The sacred measure of pyramids is the royal cubit comprised of 28 equal parts called “fingers”. The length of the Great Sphinx comprises 140 royal cubits. It can be viewed as a super-measure from which the sizes of the three main pyramids on the plateau of Giza obtain. Suppose we were to divide this super-measure (the Sphinx-length) in 28 equal parts by analogy with the royal cubit being divided in 28 fingers. The result would be a span of 5 royal cubits. I maintain that (the Planck-length) times (10 to the power of 35) times (the Golden ratio number) yields 5 royal cubits, slightly longer than 0.523 meters each. Wishing to get closer to the actual length of the Sphinx, we might as well use a variant of the Golden ratio – the square root of (13/8 x 21/13) whereby 8, 13, 21 are consecutive Fibonacci numbers.
用常量的方法复兴狮身人面像——创意空间中的代码
本文研究的是嵌入在世界著名文物中的古代密码,如狮身人面像和吉萨高原上的金字塔。同样的空间密码也被物化在地球上最古老的加工黄金中——瓦尔纳墓地的宝藏(公元前4600 - 4200年)。令人惊讶的是这两组人工制品之间的匹配,记住瓦尔纳墓地的黄金至少比金字塔早2000年。但他们神圣度量的原型——所谓的皇家肘尺——出现在与著名的瓦尔纳墓地有关的度量体系中。正是在那里,我找到了通用常数的原型,比如黄金分割率和圆周率。这两个常数之间的协同作用有待我们去发现——例如Pi乘以黄金分割率。在一系列复杂的比例中,它是最简单的一个,这些比例在古代黄金制品和金字塔中都起作用。令人惊讶的是,π与黄金比例的奇异变体的协同作用允许推断出一个特定的数字,这与逆精细结构常数相匹配。对于这个推论,普朗克长度和光秒之间的比率将是一个起点。一方面是时空连续体中的最小跨度(普朗克长度),另一方面是光在真空中一秒时间内所走过的距离(光秒)。金字塔的神圣尺度是由28个相等的部分组成的皇家肘,称为“指”。狮身人面像的长度为140腕尺。它可以被看作是吉萨高原上三个主要金字塔尺寸的超级测量方法。假设我们要把这个超级尺寸(狮身人面像的长度)分成28等份,就像王室的肘被分成28个手指一样。结果将是一个5皇家腕尺的跨度。我认为(普朗克长度)乘以(10的35次方)乘以(黄金比例)得到5个皇家腕尺,每个腕尺略长于0.523米。为了更接近狮身人面像的实际长度,我们不妨使用黄金比例的一种变体——(13/8 × 21/13)的平方根,其中8,13,21是连续的斐波那契数。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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