SYNCHRONIZATION OF MODERNITY: “RHIZOME” OF RUSSIAN CONTEMPORARY ART IN GLOBAL AND REGIONAL CONTEXT

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
D. V. Galkin, A. Kuklina
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Abstract

The authors address issues of the development of contemporary art in Russian regions. On the one hand, the task is to formulate the philosophical and theoretical foundations of such an analysis. On the other hand, original empirical data are used (based on a number of Russian and European cases). The authors propose an original concept of synchronization of modernity as an attempt to overcome the contradiction between global normalization of cultural processes (“homogenization”) and opposition to it in the trends of “heterogenization” based on locality and originality. Synchronization is viewed as a “rhizome” of connections, relationships and projects in the flows of fluid modernity (Z. Bauman's liquid Modernity). The concept of “synchronization of modernity” is proposed as a philosophical basis for the analysis and practical development of contemporary art in the regions of Russia, in which, in particular, it is supposed to resolve the contradiction by homogenization (or global normalization) and heterogenization in the dynamic situation of “liquid Modernity” (Bauman) and cultural hybridization, which involves not only taking into account the conditions of deterritorialization, but also various forms of actualizing the local / regional context. These are the conditions and limitations for the formation of a “rhizome” (in the sense of Deleuze and Guattari) of contemporary art in Russia. The initial assumptions of the concept of synchronization of modernity are applied to the analysis of the current historical and cultural situation, the development of contemporary art in the regions of Russia, where this “rhizome” grows in a clash between the translation of the global international context (prestigious exhibitions, institutions, curators, auctions) and the search for distinctive regional (local) grounds. It is also shown that in the current empirical and practical context, the synchronization of modernity is implemented in several approaches: 1) “local identity”, 2) global normalization (“colonization”), 3) network “stitching of territories”, 4) chaotic search / open initiative.
现代性的同步:全球与区域语境下俄罗斯当代艺术的“根茎”
作者解决当代艺术在俄罗斯地区的发展问题。一方面,任务是制定这种分析的哲学和理论基础。另一方面,使用了原始的经验数据(基于许多俄罗斯和欧洲的案例)。作者提出了现代性同质化的原创概念,试图克服文化过程的全球正常化(“同质化”)与基于地方性和原创性的“异质化”趋势之间的矛盾。同步被视为流动现代性流动中的连接、关系和项目的“根茎”(Z. Bauman的流动现代性)。“现代性同质化”的概念被提出,作为俄罗斯地区当代艺术分析和实践发展的哲学基础,特别是在“流动的现代性”(鲍曼)和文化杂交的动态情境下,通过同质化(或全球正常化)和异质化来解决矛盾,这不仅涉及到去地域性的条件;还有各种形式的地方/区域背景的实现。这些都是俄罗斯当代艺术形成“根茎”(德勒兹和瓜塔里意义上的根茎)的条件和限制。现代性同步概念的最初假设被应用于当前历史和文化状况的分析,俄罗斯地区当代艺术的发展,在全球国际背景(著名的展览,机构,策展人,拍卖)的翻译和寻找独特的区域(当地)理由之间的冲突中,这种“根茎”生长。在当前的经验和实践背景下,现代性的同步性体现在以下几个方面:1)“地方认同”,2)全球正常化(“殖民化”),3)网络“领土拼接”,4)混沌搜索/开放主动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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