THE ROUNDABOUT OF BALKAN MULTICULTURALISM

Lendrit Qell
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Abstract

From Thucydides to Machiavelli, from Ranke and Mlichelet to Toynbee and Braudel all sought to illustrate the final picture, the compelling and unifying concept of culture and its place in society. In any society, one can identify a dominant culture that is cherished by the majority of citizens and one or more cultures or subcultures that partially or not at all accept the dominant values. Multiculturalism as an idea has been present since the epoch of ancient Greece and the Roman Empire. Since antiquity, thinking about politics has been a question of living together: how to create a society, how to reconcile the unity and plurality of values and cultures? Should we even out or bring awareness to the differences? Long-standing debates that constantly refresh these questions. This is where the idea of multiculturalism, the project of fair recognition of different “cultures” in the public space, is put forward. Europe is a symbol of multiculturalism, although often this rich content has been abused. The Balkans as a multicultural microcosm is an example of the parallel existence of numerous cultures, ethnicities, nations, faiths and religions. What evolution did multiculturalism experience until the creation of the last independent state, the Republic of Kosovo?
巴尔干多元文化主义的迂回曲折
从修昔底德到马基雅维利,从兰克和米利切莱特到汤因比和布罗代尔,所有人都试图说明最终的图景,即文化及其在社会中的地位的引人注目和统一的概念。在任何社会中,人们都可以确定一种为大多数公民所珍视的主导文化,以及一种或多种部分或根本不接受主导价值观的文化或亚文化。自古希腊和罗马帝国时代以来,多元文化主义作为一种思想就已经存在。自古以来,对政治的思考一直是一个共同生活的问题:如何创造一个社会,如何调和价值观和文化的统一性和多元性?我们是否应该消除或提高对差异的认识?长期的争论不断刷新这些问题。这就是多元文化主义的概念,在公共空间中公平承认不同“文化”的项目,被提出的地方。欧洲是多元文化的象征,尽管这种丰富的内涵经常被滥用。巴尔干作为一个多元文化的缩影,是众多文化、种族、民族、信仰和宗教并存的一个例子。在最后一个独立国家科索沃共和国成立之前,多元文化主义经历了怎样的演变?
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