The Global Anglophone: An Institutional Argument

J. Lawrence
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引用次数: 1

Abstract

Most accounts of the rise of Global Anglophone as a disciplinary category and academic field have characterized it as an expansion, revision, or “repackaging” of the Postcolonial within literary studies. In this introductory essay, I make the case that the increased prominence of Global Anglophone in hiring in the US academy derives from broader shifts in the institutional landscape of English departments over the past twenty years. After situating Global Anglophone within a contemporary turn toward organizing literary fields around transnational, ethnic, and subnational categories rather than nation-states, I offer a model for approaching Global Anglophone as an umbrella term for all teaching and scholarship conducted in English departments. Using James Baldwin’s The Fire Next Time (1963) as a test case, I propose a newly revamped Global Anglophone curriculum that would better reflect the kinds of research that literary scholars are producing in the twenty-first century.
全球英语使用者:一个制度上的争论
大多数关于全球英语国家作为一个学科类别和学术领域的崛起的描述都将其描述为文学研究中后殖民主义的扩展、修订或“重新包装”。在这篇介绍性的文章中,我提出了一个案例,即全球英语国家在美国学院招聘中的地位日益突出,源于过去20年来英语系制度格局的更广泛变化。在将全球英语国家置于当代转向围绕跨国、民族和次国家类别而不是民族国家组织文学领域之后,我提供了一个模型,将全球英语国家作为英语系所有教学和奖学金的总称。以詹姆斯·鲍德温(James Baldwin)的《下次失火》(The Fire Next Time, 1963)为例,我提出了一个新修订的全球英语国家课程,该课程将更好地反映21世纪文学学者正在进行的各种研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Molecular interventions
Molecular interventions 生物-生化与分子生物学
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