Orfeo y Eurídice en el séptimo arte

Q3 Arts and Humanities

Byzantion Nea Hellas Pub Date : 2019-12-11 DOI:10.4067/s0718-84712019000100049

Ronald Forero-Álvarez, Lucio Martín Forero-Álvarez

引用次数: 0

Abstract

This article gathers the cinematographic adaptations of the episode of Orpheus and Eurydice in order to establish the transformations and the different objectives of its inclusion in this type of works. The analysis of the films showed that four raise issues related to the artistic medium (Orphée, Vous n’avez encore rien vu, Parking, Me ton Orfea ton Avgousto) and six deal with social problems (Orfeu Negro, Orfeu, The Fugitive Kind, Orpheus Descending, Evridiki BA 2O37, Shredder Orpheus).

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第七艺术中的俄耳甫斯和欧律狄刻

本文收集了俄耳甫斯与欧律狄刻插曲的电影改编，以确定其在这类作品中的转变和不同的目标。对这些电影的分析表明，有四部电影提出了与艺术媒介有关的问题(《奥菲姆》、《奥菲姆》、《停车》、《奥菲姆》和《奥菲姆》)，六部电影涉及社会问题(《奥菲姆黑人》、《奥菲姆》、《逃亡者》、《俄耳甫斯降临》、《埃夫里迪基BA 2O37》、《施莱德·奥菲斯》)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Byzantion Nea Hellas Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

16 weeks

期刊介绍： Byzantion Nea Hellás, is yearly journal of Greek, Byzantine and Neohellenic studies, founded in 1970. It publishes original scientific research articles pertaining to the domain of Greek studies, in Spanish, Portuguese, French, and English. The aim of the journal is to foster the publication of works by national and foreign researchers working in the three main areas of Greek culture, as well as the academic interchange between researchers and teaching staff who deal with these subjects.