The National Front and Ultraliberalism (Extract from Pharmacologie du Front national, 2013)

Q1 Social Sciences
B. Stiegler, Danielle Ross
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引用次数: 0

Abstract

Every human being, whatever his race, nationality, religion or politics, is capable of anything and everything. A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on the subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. — Chester Himes, Blind Man with a Pistol
国民阵线与极端自由主义(摘自《国民阵线药理学》2013年版)
每个人,无论他的种族、国籍、宗教或政治,都有能力做任何事情。我的一个朋友Phil Lomax给我讲了一个故事,一个盲人用手枪射击了一个在地铁上打他耳光的人,并杀死了过道对面一个平静地看报纸的无辜旁观者,我想,太对了,听起来就像今天的新闻,贫民窟的骚乱,越南战争,中东的受虐行为。然后我想到我们的一些大嗓门的领袖怂恿我们脆弱的灵魂兄弟去自杀,我进一步想到所有无组织的暴力就像一个拿着手枪的盲人。——切斯特·海姆斯,《拿手枪的盲人
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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