{"title":"Honouring Christopher Kobla Dewornu","authors":"G. Dor","doi":"10.2989/18121004.2022.2153446","DOIUrl":null,"url":null,"abstract":"Abstract Christopher Kobla Dewornu, a retired Inspector General of Police for Ghana and a member of the Council of State, is a multi-talented musician-composer, lead singer and drummer. Since his national political responsibilities overshadowed his public musical practice and visibility, a concert was organised in November 2016 in Accra to honour his contribution to the musical arts, while also raising an awareness of his musical impact on his community. This article focuses on the concert in which he performed a selection of his oral-based compositions with Christian texts, which were set to Anlo Ewe traditional melodic idioms within a domesticated environment. Dewornu also sang a few Akpalu songs that inspired audience participation. Restricted by his political work environment, involving moderate social distancing, Dewornu had to navigate his ethnic, professional and religious identities to strategically shape his public musical life.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"13 1","pages":"15 - 37"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Musical Arts in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2989/18121004.2022.2153446","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Christopher Kobla Dewornu, a retired Inspector General of Police for Ghana and a member of the Council of State, is a multi-talented musician-composer, lead singer and drummer. Since his national political responsibilities overshadowed his public musical practice and visibility, a concert was organised in November 2016 in Accra to honour his contribution to the musical arts, while also raising an awareness of his musical impact on his community. This article focuses on the concert in which he performed a selection of his oral-based compositions with Christian texts, which were set to Anlo Ewe traditional melodic idioms within a domesticated environment. Dewornu also sang a few Akpalu songs that inspired audience participation. Restricted by his political work environment, involving moderate social distancing, Dewornu had to navigate his ethnic, professional and religious identities to strategically shape his public musical life.
Christopher Kobla Dewornu是一位多才多艺的音乐家兼作曲家、主唱和鼓手,现已退休的加纳警察总监兼国务委员会成员。由于他的国家政治责任掩盖了他的公共音乐实践和知名度,2016年11月在阿克拉组织了一场音乐会,以纪念他对音乐艺术的贡献,同时也提高了他对社区音乐影响的认识。这篇文章的重点是在音乐会中,他表演了他选择的以基督教文本为基础的口语作品,这些作品是在一个驯化的环境中设置为安洛埃维传统的旋律习语。Dewornu还演唱了几首激发观众参与的阿克帕卢歌曲。由于他的政治工作环境的限制,包括适度的社会距离,德沃努必须驾驭他的种族,专业和宗教身份,以战略性地塑造他的公共音乐生活。